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Dirección
- Miguel Zacarías
Guión
- Alfredo Zacarías
- Miguel Zacarías
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6,9

Jesús, el niño Dios

7,4

Jesús, María y José

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Maria Magdalena: Rabbi, can a woman like me hear your word?
[Apostles protesting]
Jesús: God make his sun rise on good and bad, and sends rain on the just and sinners. Come Mary Magdalene.
Maria Magdalena: Oh, you know my name, you know me.
Jesús: There is nothing concealed that will not be revealed, or hidden that has been not knowing. From the abundance of the heart the mouth speaks. It's not you that has come to tempt me? But the 7 demons you have inside.
[Mary Magdalene looks in the heavens and in the ground]
Jesús: Pride, anger, sloth, lust, envy, gluttony and greed. Come out of it I I command!
[Mary Magdalene looks in the heavens and in the ground a second time]
Jesús: The torch of your body are your eyes, especially if one of your eyes is for you an occasion of sin. Take and throw him out of you!
Maria Magdalena: So tough is your law?
Jesús: The kingdom of heaven reaches alive and strength. Whoever wants to be saved, let him deny himself, take up his cross daily and follow me. So take my yoke among you, and learn of me that I am meek and humble of heart. And you shall find rest to your souls. And when repentance fills your heart, come back to me, Mary Magdalene.
[Jesus walks away and his 12 apostles as well and a crowd of people]
Maria Magdalena: So life he speaks of death?

Conexiones
Edited into The Nativity (1984)

Each film about The Savior has the potential to be defined as impressive. But in this case, the things are different. First - for the acting of Claudio Brook. Sure, the age can be a problem, but in this case, in special way, it becomes, scene by scene, a virtue. Second - for the work of Rita Macedo. For few scenes, real great in each detail. For innovations, strange at the first sigh, coherent discovered after the end of film, for the use and, especially dimensions of the Judaic symbols. Not the last, for the music. A seductive film about the basic sacrifice defining our faith and way to assume the life. Impressive for bitter poetry and authentic passion to give the fair film about the Son of God, for the impression of large work of pieces from a sort of puzzle. And, off course , not the last, for the mark of Mexican cinematography to the genre.