PUNTUACIÓN EN IMDb
7,2/10
2 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaAfter the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.
- Premios
- 5 premios y 6 nominaciones en total
Sergei Priselkov
- Alexei Leonov
- (as Sergei Prisselkov)
Argumento
¿Sabías que...?
- CuriosidadesThe film is an adaptation of the play of the same name, also written and directed by Robert Lepage.
- PifiasWhen Andre and Carl come to Phillipe's apartment, the heat has been off for two days, Beethoven's fish-bowl is frozen solid, but we do not see the actors' breath.
Reseña destacada
I would have liked to have given this film a 9.99, since there were two scenes which I felt were just a bit too long. Since it is closer to a perfect ten than a perfect 9, however, I had to give it a 10.
"Far Side of The Moon" is an absolute gem of a film. Robert Lepage is another one of those depressingly competent people who writes, directs and stars in his own films. It is so enchanting that its length (under an hour and three quarters) seems even shorter than it is.
"Far Side..." is chock full of the most carefully constructed sequences I have ever seen in the cinema. There is literally not one frame that has not been carefully nurtured and coaxed into place--like a piece of a brightly colored mosaic--to create what must be one of the most seamlessly engineered set of images in film history.
There are no "stock" shots in this film. Not one shot is ever simply thrown in to get on with the plot. Each scene segues beautifully into the next, each is composed with the utmost care. This is what film making should be.
While the movie relies servilely on (often complex)special effects for the realization of its vision, these techniques are not there just for the "wow" factor; rather they are all in the service of a unified directorial vision, full of resonant symbols and painterly motifs that seem always to reach toward each other as if in a dance.
You would think that this obsessive attention to setting and color and detail would make the movie stiff and formal. But it does not. First of all, Lepage (and his character Philippe) are full of such self-deprecating irony that there are almost as many laughs as there are sighs of wonder in the movie.
But moreover, the film is a supremely dramatic and melancholic tale, . Lepage has created in his character Philippe probably the greatest sad sack since Nabokov's Pnin. You can't help but feel for the poor helpless loser, tricked by his hyperactive and poetic imagination into a failed marriage, a failed university degree, and a failed relation with the only two family members he has.
Funny, tragic, witty, and visually splendid. Why don't more moves like this get made?
Numer of car chases: 0 Number of gun shots: 0 Number of psychopathic killers: 0 Number of action heroes: 0
"Far Side of The Moon" is an absolute gem of a film. Robert Lepage is another one of those depressingly competent people who writes, directs and stars in his own films. It is so enchanting that its length (under an hour and three quarters) seems even shorter than it is.
"Far Side..." is chock full of the most carefully constructed sequences I have ever seen in the cinema. There is literally not one frame that has not been carefully nurtured and coaxed into place--like a piece of a brightly colored mosaic--to create what must be one of the most seamlessly engineered set of images in film history.
There are no "stock" shots in this film. Not one shot is ever simply thrown in to get on with the plot. Each scene segues beautifully into the next, each is composed with the utmost care. This is what film making should be.
While the movie relies servilely on (often complex)special effects for the realization of its vision, these techniques are not there just for the "wow" factor; rather they are all in the service of a unified directorial vision, full of resonant symbols and painterly motifs that seem always to reach toward each other as if in a dance.
You would think that this obsessive attention to setting and color and detail would make the movie stiff and formal. But it does not. First of all, Lepage (and his character Philippe) are full of such self-deprecating irony that there are almost as many laughs as there are sighs of wonder in the movie.
But moreover, the film is a supremely dramatic and melancholic tale, . Lepage has created in his character Philippe probably the greatest sad sack since Nabokov's Pnin. You can't help but feel for the poor helpless loser, tricked by his hyperactive and poetic imagination into a failed marriage, a failed university degree, and a failed relation with the only two family members he has.
Funny, tragic, witty, and visually splendid. Why don't more moves like this get made?
Numer of car chases: 0 Number of gun shots: 0 Number of psychopathic killers: 0 Number of action heroes: 0
- robertllr
- 3 jun 2006
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- The Far Side of the Moon
- Localizaciones del rodaje
- Plaines d'Abraham, Montreal, Quebec, Canadá(Philippe films the park under the snow for his message to the aliens)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.600.000 CAD (estimación)
- Recaudación en Estados Unidos y Canadá
- 248.460 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 27.865 US$
- 26 oct 2003
- Recaudación en todo el mundo
- 248.460 US$
- Duración1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was La cara oculta de la Luna (2003) officially released in India in English?
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