PUNTUACIÓN EN IMDb
6,2/10
10 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaAn indiscretion between two close friends tears down their respective marriages.An indiscretion between two close friends tears down their respective marriages.An indiscretion between two close friends tears down their respective marriages.
- Premios
- 2 premios y 4 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe Irish step dance scene starts with a cutaway where the center dancer is actually a male dancer.
- Citas
[on Hank and Terry]
Edith Evans: I think he want to have sex with her.
Jack Linden: Why?
Edith Evans: Why?
Jack Linden: Yeah.
Edith Evans: Because he likes her and she's pretty. And he hasn't had any strange pussy since that French cunt.
- Créditos adicionalesSpecial Thanks To Christine & Ben Christine, Terry & Kelly Kris & Fisher
- ConexionesFeatured in The 20th IFP Independent Spirit Awards (2005)
- Banda sonoraJungle Warrior
Written by John Otieno
Performed by Matata
Courtesy of President Records Ltd. UK
Reseña destacada
"We Don't Live Here Anymore" is a sophisticated examination of the complexities of the difficult relationship that is contemporary marriage and family.
As it takes us awhile in the beginning to figure out who is attached in what couple, Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts superbly act a matched quartet of grown-up friends whose restlessness and frustrations with their personal and professional lives are gradually torn to shreds by propinquity and alcohol (and perhaps by community college teachers having too flexible schedules and temptations). The suspense comes in the revelation of the layers that get peeled off each and we wonder just how far each will go.
Each actor finds a unique response to their character's emotional situation and the production design well illustrates their individuality (though once again in a film I got fooled that I was supposed to think ill of a character like Dern's whose comfortable house is evidently a mess when it looks like mine, while I thought Watts' house was really cold in its spotlessness while gradually I realized I was supposed to think she was more together, but heck she had one less kid).
While I haven't read yet the two Andre Dubos short stories that Larry Gross adapted for the screenplay, Ruffalo's voice-over is used inconsistently as an occasional crutch to reveal inner thoughts probably to help bolster the denouement; otherwise the camera angles try to convey their thoughts, but that manipulates the audience a bit as to whom to root for.
Maryse Alberti's cinematography richly conveys summer passing in a beautiful yet claustrophobic college town.
The song selections are not particularly revelatory, but the music is effective at mood-setting.
As it takes us awhile in the beginning to figure out who is attached in what couple, Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts superbly act a matched quartet of grown-up friends whose restlessness and frustrations with their personal and professional lives are gradually torn to shreds by propinquity and alcohol (and perhaps by community college teachers having too flexible schedules and temptations). The suspense comes in the revelation of the layers that get peeled off each and we wonder just how far each will go.
Each actor finds a unique response to their character's emotional situation and the production design well illustrates their individuality (though once again in a film I got fooled that I was supposed to think ill of a character like Dern's whose comfortable house is evidently a mess when it looks like mine, while I thought Watts' house was really cold in its spotlessness while gradually I realized I was supposed to think she was more together, but heck she had one less kid).
While I haven't read yet the two Andre Dubos short stories that Larry Gross adapted for the screenplay, Ruffalo's voice-over is used inconsistently as an occasional crutch to reveal inner thoughts probably to help bolster the denouement; otherwise the camera angles try to convey their thoughts, but that manipulates the audience a bit as to whom to root for.
Maryse Alberti's cinematography richly conveys summer passing in a beautiful yet claustrophobic college town.
The song selections are not particularly revelatory, but the music is effective at mood-setting.
- noralee
- 5 sept 2004
- Enlace permanente
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- How long is We Don't Live Here Anymore?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- We Don't Live Here Anymore
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 3.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 2.041.014 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 101.295 US$
- 15 ago 2004
- Recaudación en todo el mundo
- 3.361.213 US$
- Duración1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the Spanish language plot outline for Ya no somos dos (2004)?
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