White noise: Mas allá

Successful architect Jonathan Rivers (Michael Keaton) is overjoyed when his wife Anna (Chandra West) reveals her pregnancy. Then she disappears. Jonathan confronts Raymond Price (Ian McNeice) who's been following him. Raymond who lost his son tells him about Electronic Voice Phenomenon and that he has received messages from Anna. Her body is found having drowned. Six months later, Jonathan moves into an apartment and strange electronic things continue. He becomes convinced about EVP. He goes to Raymond who is now helping Sarah Tate (Deborah Kara Unger) with her lost fiancé. As he obsessively decipher the electronic signals, he encounters menacing spirits and even those who are not dead quite yet.

Michael Keaton is past his early successes and is yet to gain his resurgent accolades. It's a time period when he was a has-been doing limited work. If nothing else, this movie's success shows that he can still be the lead. I really like the cold static moody atmosphere. I don't think the son is necessary but it's where the story goes that leaves me a bit cold. The spirits are a disappointment. The near-death messages idea is where the movie goes down the wrong path. The moody ghost story turns into a muddled thriller. The spirits' climatic battle is a mess. This movie starts good but ends poorly.