PUNTUACIÓN EN IMDb
7,6/10
6,2 mil
TU PUNTUACIÓN
Salvador Dalí y Walt Disney presentan la trágica historia de amor de Chronos, la personificación del tiempo, y una mujer mortal mientras se buscan el uno al otro a través de paisajes surreal... Leer todoSalvador Dalí y Walt Disney presentan la trágica historia de amor de Chronos, la personificación del tiempo, y una mujer mortal mientras se buscan el uno al otro a través de paisajes surrealistas.Salvador Dalí y Walt Disney presentan la trágica historia de amor de Chronos, la personificación del tiempo, y una mujer mortal mientras se buscan el uno al otro a través de paisajes surrealistas.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 6 premios y 2 nominaciones en total
Jennifer Esposito
- Rebecca Drummond
- (voz)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesSparked by the friendship between Walt Disney and Salvador Dalí, the film was commissioned to be part of a compilation film. Work started in 1946, and fifteen seconds of footage were created before the project was abandoned.
- ConexionesFeatured in The 76th Annual Academy Awards (2004)
Reseña destacada
Originally conceived as a joint project between Disney and Dalí back in the 1940's, this short animation never got to the stage of being completed for various reasons and instead existed as paintings and storyboards Dalí made with Disney animator John Hench. These were on display at the Tate Modern as part of the exhibition "Dalí & Film" and I did like the fact that I could see the creation of the film and then step next door to watch it and see how close it came to the original design from over fifty years before.
Watching it is a strange but enjoyable experience because it is at once Disney and Dalí and this is a combination that I didn't think sat all that well together thematically or visually. I did get used to it but it did jar with me to see a woman with a typical modern Disney face, suddenly becoming part of a Dalí's creation. Perhaps this was the intension but it did feel a bit like someone was flicking a switch somewhere to go Dalí then Disney then back again not so much a combination of styles as the two being placed next to one another in one piece. This feeling aside though, it is a quiet engaging and enjoyable film that I enjoyed immensely visually. Dalí's vision is brought to life really well and the images from his storyboard and paintings generally are instantly recognisable.
Again I did wonder if the film would have been quite so "Disney" if it had been made in 1946 with the man himself directly involved at times I did feel that I was watching Pocahontas and it did take away from the experience a little bit. Fortunately the storyboards prevent it going too far from the original images and as such it is interesting and imaginative; the CGI is a blessing and a curse though. On one hand it makes all this possible but on the other it seems significantly less real than Dalí's actual paintings I'm not sure quite why but I think the colours are too simple and the imagery lacking in the detail that some of his work has.
Overall though, it is still an enjoyable and enchanting film and a chance to see Dalí's images flowing across the screen. Perhaps a little too Disneyified for my tastes, it is still well worth seeing for the chance to enter a Dalí painting and follow a story about loss and love.
Watching it is a strange but enjoyable experience because it is at once Disney and Dalí and this is a combination that I didn't think sat all that well together thematically or visually. I did get used to it but it did jar with me to see a woman with a typical modern Disney face, suddenly becoming part of a Dalí's creation. Perhaps this was the intension but it did feel a bit like someone was flicking a switch somewhere to go Dalí then Disney then back again not so much a combination of styles as the two being placed next to one another in one piece. This feeling aside though, it is a quiet engaging and enjoyable film that I enjoyed immensely visually. Dalí's vision is brought to life really well and the images from his storyboard and paintings generally are instantly recognisable.
Again I did wonder if the film would have been quite so "Disney" if it had been made in 1946 with the man himself directly involved at times I did feel that I was watching Pocahontas and it did take away from the experience a little bit. Fortunately the storyboards prevent it going too far from the original images and as such it is interesting and imaginative; the CGI is a blessing and a curse though. On one hand it makes all this possible but on the other it seems significantly less real than Dalí's actual paintings I'm not sure quite why but I think the colours are too simple and the imagery lacking in the detail that some of his work has.
Overall though, it is still an enjoyable and enchanting film and a chance to see Dalí's images flowing across the screen. Perhaps a little too Disneyified for my tastes, it is still well worth seeing for the chance to enter a Dalí painting and follow a story about loss and love.
- bob the moo
- 30 sept 2007
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Salvador Dalí, Destino
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.500.000 US$ (estimación)
- Duración7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was Destino (2003) officially released in Canada in English?
Responde