PUNTUACIÓN EN IMDb
7,4/10
7,9 mil
TU PUNTUACIÓN
El regreso a casa de un periodista de guerra desilusionado está arruinado.El regreso a casa de un periodista de guerra desilusionado está arruinado.El regreso a casa de un periodista de guerra desilusionado está arruinado.
- Premios
- 19 premios y 5 nominaciones en total
Mabel Wharekawa
- Winnie
- (as Mabel Burt)
Argumento
¿Sabías que...?
- CuriosidadesThe wartime photographs used for the film were taken by South African photojournalist Greg Marinovich. The photograph of the child was taken by Romano Cagnoni.
- Citas
Celia Steimer: I'd rather be a no-one somewhere, than a someone nowhere.
- Versiones alternativasTo secure a "15" certificate UK versions are cut by 1 min 56 secs and remove a bedroom scene in which Paul asks a woman to sexually asphyxiate him with the belt of his trousers.
- ConexionesFeatured in In My Father's Den: Behind the Scenes Footage and Clips (2005)
- Banda sonoraChants d'Auvergne - Series 1: Bailero
Composed by Marie-Joseph Canteloube
Performed by Kiri Te Kanawa and The English Chamber Orchestra
Reseña destacada
Last night I was privileged to see one of the most emotional, sensitive and highly enjoyable films I have seen in many years. "In My Father's Den" both premiered and opened the 51st Sydney Film Festival, which is no mean feat for a New Zealand feature film.
The film is of world class standard and I predict will easily join the ranks of other noted NZ feature films such as "Once were Warriors", "The Piano" and "Whalerider".
The storytelling is sophisticated, delicate and richly layered in such a way, that it easily deserves a second viewing. The performances from the entire cast are compelling, but none so as extraordinary as the lead performances by newcomer Emily Barclay (as Celia) and Mathew MacFadyen (as Paul Prior). The scenes between these two are simply mesmerizing. A pure joy to watch. This film achieves what few films can claim to, and that is, to create characters, which you totally believe are living flesh and blood.
I predict from this point forward, many an accomplished actor will be beating a path to Writer/Director Brad McGann's door.
Mathew MacFadyen plays a war zone photographer returning to his former his home town to attend his fathers funeral. Set in a small township in a remote area of the South Island of New Zealand. The film beautifully dramatizes the world weary Prior against the next generation who look to leave the town and experience the world for themselves. Paul's very presence creates a ripple effect across the close knit community. Some positive, some negative. Old family wounds are opened, youthful loves remembered, new relationships are forged and dark truths revealed.
The film plays it's cards slowly and steadily at first, gradually drawing you deeper into it's web. Before long you are captivated and unable to prevent yourself from becoming emotionally involved. The audience around me were drawn deeply into this beautiful film and many moved to tears. Attendees included Director Phil Noyce, Actors Geoffrey Rush, Hugo Weaving, other luminaries and several thousand of Sydney's film fraternity.
This is one of those films that successfully stays with you after you leave the cinema. I can wholeheartedly recommend it to you.
The film is of world class standard and I predict will easily join the ranks of other noted NZ feature films such as "Once were Warriors", "The Piano" and "Whalerider".
The storytelling is sophisticated, delicate and richly layered in such a way, that it easily deserves a second viewing. The performances from the entire cast are compelling, but none so as extraordinary as the lead performances by newcomer Emily Barclay (as Celia) and Mathew MacFadyen (as Paul Prior). The scenes between these two are simply mesmerizing. A pure joy to watch. This film achieves what few films can claim to, and that is, to create characters, which you totally believe are living flesh and blood.
I predict from this point forward, many an accomplished actor will be beating a path to Writer/Director Brad McGann's door.
Mathew MacFadyen plays a war zone photographer returning to his former his home town to attend his fathers funeral. Set in a small township in a remote area of the South Island of New Zealand. The film beautifully dramatizes the world weary Prior against the next generation who look to leave the town and experience the world for themselves. Paul's very presence creates a ripple effect across the close knit community. Some positive, some negative. Old family wounds are opened, youthful loves remembered, new relationships are forged and dark truths revealed.
The film plays it's cards slowly and steadily at first, gradually drawing you deeper into it's web. Before long you are captivated and unable to prevent yourself from becoming emotionally involved. The audience around me were drawn deeply into this beautiful film and many moved to tears. Attendees included Director Phil Noyce, Actors Geoffrey Rush, Hugo Weaving, other luminaries and several thousand of Sydney's film fraternity.
This is one of those films that successfully stays with you after you leave the cinema. I can wholeheartedly recommend it to you.
- almax-2
- 12 jun 2004
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- In My Father's Den
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 7.000.000 NZD (estimación)
- Recaudación en todo el mundo
- 1.627.788 US$
- Duración2 horas 7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principal laguna de datos
By what name was El refugio de mi padre (2004) officially released in India in English?
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