Un estudio psicológico de las operaciones del escudo del desierto y la tormenta del desierto durante la guerra del Golfo; a través de los ojos de un francotirador marino de los Estados Unido... Leer todoUn estudio psicológico de las operaciones del escudo del desierto y la tormenta del desierto durante la guerra del Golfo; a través de los ojos de un francotirador marino de los Estados Unidos que lucha por hacer frente a la posibilidad de que su novia lo esté engañando en casa.Un estudio psicológico de las operaciones del escudo del desierto y la tormenta del desierto durante la guerra del Golfo; a través de los ojos de un francotirador marino de los Estados Unidos que lucha por hacer frente a la posibilidad de que su novia lo esté engañando en casa.
- Premios
- 6 premios y 12 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesA great deal of the dialogue is improvised. This was a deliberate choice on the part of Sir Sam Mendes to be a little more organic after the stylization of Camino a la perdición (2002).
- PifiasIn the scorpion fight scene, there is a Emperor Scorpion (P. imperator) and Desert Hairy Scorpion (H. arizonensis). The former is native to Congolese Africa, the latter to Arizona and surrounding states. Neither has any place anywhere in the Middle East.
- Citas
D.I. Fitch: What the fuck are you even doing here?
Anthony 'Swoff' Swofford: Sir, I got lost on the way to college, sir.
- Créditos adicionalesAt the end of the credits, Sykes can be heard calling out the following military cadence, with his platoon responding: 'All my life it was my dream/ To be a bad motherfucking U.S. Marine.'
- Versiones alternativasMilitary theatrical versions of the film remove some footage, including the scene where a soldier dies during training.
- ConexionesEdited into Jake Gyllenhaal Challenges the Winner of the Nobel Peace Prize (2010)
- Banda sonoraSomething in the Way
Written by Kurt Cobain
Performed by Nirvana
Courtesy of Geffen Records
Under license from Universal Music Enteprises
A critic once observed that audiences emerge from a comedy talking animatedly with one another, but after a tragedy they come forth subdued and solitary, each absorbed by his or her own thoughts.
"Jarhead" is not a tragedy but a tragic coming-of-age story. As in "The Last Picture Show," a young man discovers what a cruel, destructive business life can be. Swofford emerges from a war that has consisted of a long, maddening wait followed by a hard march through the surreal aftermath of battles already won by jets dropping smart bombs, toward a horizon blackened by Saddam's burning oil wells. He returns home to find that his girlfriend has left him for another man. His best friend, who suffered with him through the combat that never came, dies as a civilian, possibly a suicide, as he was thrown out of the Corps with a dishonorable discharge.
Subdued and solitary, I waited outside the theater for my wife.
"So, what did you think?" I asked her when she came out. "Definitely not a John Wayne movie," she said. "No," I responded, reminded of Clint Eastwood sharing a victory cigar with a young Marine beneath an American flag raised atop a hill in Grenada in "Heartbreak Ridge."
"It wasn't as dark as the book," I said. "In the book," she replied, "you couldn't see Swofford's smile."
Jake Gyllenhaal does display an engaging, youthful grin in the early part of the movie. He plays the twenty-year-old Swoff very well. And Jamie Foxx does Sgt. Sykes brilliantly. Against the backdrop of a night made at once hellish and spectacular by blazing oil wells, the Sergeant tells Swoff that he (Sykes) could have joined his brother and had a nice safe job stateside, but with no chance to see such sights as this. "I love this job," he says. "I thank God for every day he gives me in the Corps. Oorah... You know what I mean, Swoff?" Foxx's delivery is flat, point blank, neither sarcastic nor enthusiastic. He is an exhausted soldier giving himself a pep talk he scarcely believes in any longer. Get out your Oscar Nomination forms.
At dinner we tried to recall what was book and what was movie. I did not remember the scene in which the soldiers are interviewed by a TV journalist from the book, but from Kubrick's "Full Metal Jacket." From "Full Metal Jacket" also, I believe, came the bizarre business of a soldier's sardonically making a corpse his buddy. The war-is-surreal-hell moral of the movie reminded me of Coppola's "Apocalypse Now" - a film the young jar-heads watch with sexual intensity in Mendez's movie. But the scene in which the soldiers sit down to enjoy a home movie one Marine's wife has made - of herself being humped by their next door neighbor - that, we all agreed, was in the book.
I remember when "Battle Cry" came out in 1955. Unlike the Boy-Scout-clean soldiers of most WW II movies of that era, these Marines said Hell and Damn. And one of them actually shot the finger at some troops riding past - What a shocker!
A Jacksonville, NC Daily News reporter interviewed several Marines from the local base who saw the movie. Excerpt:
Their reviews seemed to be positive, especially concerning the portrayal of the relationship between Marines and how deployments and war are mostly about sitting around and waiting.
"I thought it was good," said Lance Cpl. Richard Usher, 19, from Tampa, Fla. "From what I know, it's accurate. They did say 'Oorah' way too much."
Lance Cpl. Josh Rader, 29, of Georgia, said he thought the movie was one of the more accurate portrayals of the Marine Corps, with the only more accurate movie being Stanley Kubrick's "Full Metal Jacket."
"A lot of the training, they dramatize it more," Rader said. "I'd say it's probably more accurate."
Lance Cpl. Adam Blades, 20, with 1st Battalion, 2nd Marines, agreed, but took exception to the actors' ages.
"The actors were a little old," he said. "The majority of guys going over there are like 18 and 19. But it was pretty cool. As accurate as I've seen." +++
- trcbmc
- 9 nov 2005
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Soldado anónimo
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 72.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 62.658.220 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 27.726.210 US$
- 6 nov 2005
- Recaudación en todo el mundo
- 97.076.152 US$
- Duración2 horas 5 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1