PUNTUACIÓN EN IMDb
5,5/10
6 mil
TU PUNTUACIÓN
Dos pandilleros convertidos en policías intentan encubrir un escándalo dentro del Departamento de Policía de Los Ángeles.Dos pandilleros convertidos en policías intentan encubrir un escándalo dentro del Departamento de Policía de Los Ángeles.Dos pandilleros convertidos en policías intentan encubrir un escándalo dentro del Departamento de Policía de Los Ángeles.
Roberto 'Lil Rob' Flores
- Gangster #4
- (as Robert Flores)
Jen Martinez
- Jen
- (as Jennifer Martinez)
Argumento
¿Sabías que...?
- CuriosidadesDirector Chris Fisher wanted to convey a sense of Los Angeles being a dry, desolate place where people aren't supposed to live, which was a challenge since shooting took place during early 2005, one of the rainiest seasons in Los Angeles history.
- Citas
Captain Spain: A man said, "Someday a real rain is gonna come and wash all the scum off the streets." But it don't rain in the desert.
- ConexionesFeatured in Siskel & Ebert & the Movies: Running Scared/Tsotsi/Dirty (2006)
- Banda sonoraComo Las Noticias
Written by Jose Jimenez Jr., Richard Contreras and George Contreras
Performed by Loyalty & Honor
Courtesy of Dragon Mob Records
Reseña destacada
The Ramparts Scandal of the 1990s entailed L.A. gang members infiltrating the police department, violently shaking down fellow gang-bangers, then, in perjured testimony after their stupidity busted wide open the whole mess, ruined the careers of honest cops in L.A.P.D.'s gang units. As final salt in the wound, taxpayers were soaked for millions in court settlements to the put-upon homies that got rough treatment from these hoods in blue.
The real villains of the piece were not-well-thought-through outreach projects to recruit more inner-city youth into the city's police force. This was yet another brainstorm of liberal social engineers far removed from the detritus wrought by their brilliance.
This movie, inspired by Ramparts, takes those facts and corkscrews them 180 degrees. The gangstas are the cops. All cops. The real villain is the SYSTEM, maaaaaaan.
This tired, hackneyed tripe represents the warped mindset of Hollywood's establishment today. It's a weak-tea Frankfurt School indictment of class, race, capital, injustice... (yaaaawn). I think one of the great injustices in this country today that so much of our media, so much of our political arena, is fabricated by these tapas-bar revolutionaries from the mean streets of Malibu, Brentwood and Beverly Hills. Decades ago, "Dirty" would be hailed as wonderfully subversive by reviewers feasting on the bounty of the very system they claim to despise. It's as subversive as "Dancing With the Stars". This is the only political viewpoint we get - in any movie or documentary produced in this country.
In that respect, this movie is similar to "Crash", that other self-celebration of hypocritical Lefty gibberish. In fact, the scene in which Gooding Jr. hassles a middle-class white couple was almost straight-lifted a few years later for "Crash", with the racial components reversed.
One reviewer here proposed "it's easy to behave morally in a sheltered, safe, middle-class environment." Well, it's easier not to become murderous animals in that kind of environment - that's for sure. And, evidently, it's a lot easier to develop a morality far removed from the real world by typing out scripts in tony neighborhoods with gates, guards, income levels in the stratosphere and worldviews in Never-Never Land.
The real villains of the piece were not-well-thought-through outreach projects to recruit more inner-city youth into the city's police force. This was yet another brainstorm of liberal social engineers far removed from the detritus wrought by their brilliance.
This movie, inspired by Ramparts, takes those facts and corkscrews them 180 degrees. The gangstas are the cops. All cops. The real villain is the SYSTEM, maaaaaaan.
This tired, hackneyed tripe represents the warped mindset of Hollywood's establishment today. It's a weak-tea Frankfurt School indictment of class, race, capital, injustice... (yaaaawn). I think one of the great injustices in this country today that so much of our media, so much of our political arena, is fabricated by these tapas-bar revolutionaries from the mean streets of Malibu, Brentwood and Beverly Hills. Decades ago, "Dirty" would be hailed as wonderfully subversive by reviewers feasting on the bounty of the very system they claim to despise. It's as subversive as "Dancing With the Stars". This is the only political viewpoint we get - in any movie or documentary produced in this country.
In that respect, this movie is similar to "Crash", that other self-celebration of hypocritical Lefty gibberish. In fact, the scene in which Gooding Jr. hassles a middle-class white couple was almost straight-lifted a few years later for "Crash", with the racial components reversed.
One reviewer here proposed "it's easy to behave morally in a sheltered, safe, middle-class environment." Well, it's easier not to become murderous animals in that kind of environment - that's for sure. And, evidently, it's a lot easier to develop a morality far removed from the real world by typing out scripts in tony neighborhoods with gates, guards, income levels in the stratosphere and worldviews in Never-Never Land.
- SanFernandoCurt
- 12 abr 2010
- Enlace permanente
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- How long is Dirty?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Dirty
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 3.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 274.245 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 95.521 US$
- 22 ene 2006
- Recaudación en todo el mundo
- 274.245 US$
- Duración1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the German language plot outline for La ley de la calle (2005)?
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