PUNTUACIÓN EN IMDb
5,5/10
46 mil
TU PUNTUACIÓN
Las vidas de los vecinos de un edificio se salen de control.Las vidas de los vecinos de un edificio se salen de control.Las vidas de los vecinos de un edificio se salen de control.
- Premios
- 6 premios y 14 nominaciones en total
Dan Renton Skinner
- Simmons
- (as Dan Skinner)
Argumento
¿Sabías que...?
- CuriosidadesThe film includes two interpretations of the ABBA song "SOS" - one by the film's composer Clint Mansell and the other by Portishead. "SOS" was released in 1975. The same year as the novel "High-Rise" JG Ballard.
- PifiasWhen Laing cuts into the human head during the pathology / dissection scene, blood is shown flowing from the fresh incision. This is medically impossible, as blood ceases to flow once a person is deceased; even more so when the head has been long since detached from the rest of the body.
- ConexionesFeatured in Film '72: Episodio #45.4 (2016)
- Banda sonoraSundance Chant
Written by Conny Velt
Published by Neue Welt Musikverlag GMBH & Co. KG
A Warner / Chappell Music Company
Performed by Gila
Licensed courtesy of Gila
Reseña destacada
I had the pleasure of viewing High-Rise at a recent film festival. I went in with high expectations, which gave way to boredom and the anticipation of the end of the showing.
The actors absolutely fulfilled all expectations. The performances are all highly nuanced and look natural, rather than put on. Hiddleston goes above and beyond to give one of the arguably best performances of his career. The mise-en-scene of each scene is meticulously crafted and beautifully shot.
So what, exactly, tipped high expectations into boredom?
For one, the film never does come together, never gives off the feeling of a cohesive whole, but rather of a series of vignettes. Each vignette is, of course, beautifully shot, but the disconnect they cause makes it impossible to empathize with any of the characters.
Additionally, suspension of disbelief is near impossible. Why do the characters make the choices they do? What drives them to this madness?
Overall, I would recommend this piece to very loyal fans of any of the actors or to cinephiles with a high degree of patience.
6.5/10
The actors absolutely fulfilled all expectations. The performances are all highly nuanced and look natural, rather than put on. Hiddleston goes above and beyond to give one of the arguably best performances of his career. The mise-en-scene of each scene is meticulously crafted and beautifully shot.
So what, exactly, tipped high expectations into boredom?
For one, the film never does come together, never gives off the feeling of a cohesive whole, but rather of a series of vignettes. Each vignette is, of course, beautifully shot, but the disconnect they cause makes it impossible to empathize with any of the characters.
Additionally, suspension of disbelief is near impossible. Why do the characters make the choices they do? What drives them to this madness?
Overall, I would recommend this piece to very loyal fans of any of the actors or to cinephiles with a high degree of patience.
6.5/10
- ninako124
- 17 oct 2015
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- High Rise
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 346.472 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 79.887 US$
- 15 may 2016
- Recaudación en todo el mundo
- 4.289.074 US$
- Duración1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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