Un mediador del Hollywood de los años 50 trata de mantener a raya a las estrellas del estudio.Un mediador del Hollywood de los años 50 trata de mantener a raya a las estrellas del estudio.Un mediador del Hollywood de los años 50 trata de mantener a raya a las estrellas del estudio.
- Nominado para 1 premio Óscar
- 14 premios y 44 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesFor his role as Hobie Doyle, Alden Ehrenreich learned horseback riding, rope tricks, twirling guns, and playing the guitar. He has stated twirling the spaghetti, mimicking the lasso, was the hardest part of his role.
- PifiasWhen Mannix is viewing the rushes (or dailies), they are being shown in color. Rushes would have been printed on inexpensive black-and-white stock as they were used only for cursory approval purposes.
- Citas
Hobie Doyle: Would that it were so simple?
- Créditos adicionalesAt the end of the closing credits there is a disclaimer that reads "This motion picture contains no visual depiction of the godhead."
- ConexionesFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
- Banda sonoraNo Dames!
Music by Henry Krieger
Lyrics by Willie Reale
Performed by Channing Tatum
Arranged by Sam Davis
Orchestrator Doug Besterman
Recordings & Mixer Todd Whitelock
Contractor Howard Joines
Reseña destacada
I am a huge Coen Brothers Fan. Many of their films are hard core 10's in my ratings and I had an uneasy feeling going into this one. The trailer made me think of Intolerable Cruelty more than O Brother Where Art Thou or many of their other films.
It felt like a strung together series of little set pieces that didn't hang together as a whole. I won't mention the plot since there was virtually none and what there was was fairly flat and unimportant.
Normally the Brothers can overcome a weak plot (although strong plot-lines have driven several of their movies) with strong quirky performances and memorable cinematography.
Sadly, the dialog lacked snap, the film didn't pop off the screen looks wise, given that it's a period piece, and with such a strong cast, everyone looked tired - almost as if they had come in to film their parts after getting off their day jobs and they were just doing a favor to the Coen's.
Overall I've seen much worse but when you go to a Coen Brothers film, you just expect much more.
It felt like a strung together series of little set pieces that didn't hang together as a whole. I won't mention the plot since there was virtually none and what there was was fairly flat and unimportant.
Normally the Brothers can overcome a weak plot (although strong plot-lines have driven several of their movies) with strong quirky performances and memorable cinematography.
Sadly, the dialog lacked snap, the film didn't pop off the screen looks wise, given that it's a period piece, and with such a strong cast, everyone looked tired - almost as if they had come in to film their parts after getting off their day jobs and they were just doing a favor to the Coen's.
Overall I've seen much worse but when you go to a Coen Brothers film, you just expect much more.
- EntropyFashion
- 5 feb 2016
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Hail, Caesar!
- Localizaciones del rodaje
- Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos(Capitol Studios exteriors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 22.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 30.498.085 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.355.225 US$
- 7 feb 2016
- Recaudación en todo el mundo
- 63.945.241 US$
- Duración1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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