Always san-chôme no yûhi
- 2005
- 2h 13min
PUNTUACIÓN EN IMDb
7,7/10
2,6 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaTeenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postw... Leer todoTeenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.Teenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.
- Premios
- 30 premios y 5 nominaciones en total
Pierre Taki
- The Ice Seller
- (as Piêru Taki)
Argumento
¿Sabías que...?
- CuriosidadesThe "Chagawa Ryunosuke" character is named after real-life author Akutagawa Ryunosuke. The Kanji characters of both names are nearly identical.
- PifiasJust before opening title, Ippei spins the propeller of his toy plane clockwise. When he releases the plane, the propeller is spinning clockwise. The propeller was powered by an elastic band - releasing it would cause the propeller to spin counter-clockwise. The error was noticed in post production but couldn't be fixed without re-shooting the entire continuous one-shot or re-doing the CGI. They decided to leave it in hoping no one would notice (though they revealed the goof in the director's commentary).
- ConexionesFollowed by Always zoku san-chôme no yûhi (2007)
- Banda sonoraALWAYS
Performed by D-51
Lyrics by Yasuhide Yoshida
Music and arrangement by IKUMA
Strings arrangement by Naoki Ôtsubo
Reseña destacada
While Takashi Yamazaki may be guilty of manipulation in wringing out the nostalgia-induced sentimentality off his viewers' hearts and eyes, it's not like those potential tears are totally undeserved in the oh-so romantic rendering of a bygone Tokyo. "Always - Sunset on Third Street," adapted from Ryohei Saigan's manga, has all the adornment of schmaltz as it follows a number of the Tokyo working class in 1958 as, following the war and backdropped by a being rebuilt Tokyo Tower, they steadily struggle through their lives to a better future. Yamazaki, though, roots his film in an innocent glorification of the community striving for a common goal as seen through warm sepia tones and golden hues.
Among the multitude of the characters, Mutsuno Hoshino (Maki Horikita, who I just have to say remains as one of my favorite Japanese actors) is a recent junior high graduate who goes to Tokyo dreaming of a job at a prestigious automobile company only to find herself working as a repair woman in a car repair shop owned by Norifumi Suzuki (Shin'ichi Tsutsumi). Across the street is Ryunosuke Chagawa (Hidetaka Yoshioka), a candy shop owner struggling to make it as a serious novelist and makes up for his literary shortcomings by regularly submitting juvenile stories for a boys' magazine. Hiromi Ishizaki (Koyuki), a sake bar owner with a shady past, receives Junnosuke (Kenta Suka), a boy abandoned by his single mother, to be left in her care and, in turn, she leaves the boy to Ryunosuke.
Taking place in a broadly idealistic and exaggeratedly whimsical parallel reality, Yamazaki may often succumb to contrived melodramatic trappings and a few missed comedic notes, yet his relentlessly effervescent tale possesses absorbing set pieces and a contagious joie de vivre none so more affectingly displayed by the film's closing shot. An unabashedly giddy fairy tale, "Always" is an ode and a love letter to the city's halcyon days as shared by its inhabitants who are slowly rising from its past and, slowly but surely, to the age of TV, refrigerator, and Coca-Cola.
Among the multitude of the characters, Mutsuno Hoshino (Maki Horikita, who I just have to say remains as one of my favorite Japanese actors) is a recent junior high graduate who goes to Tokyo dreaming of a job at a prestigious automobile company only to find herself working as a repair woman in a car repair shop owned by Norifumi Suzuki (Shin'ichi Tsutsumi). Across the street is Ryunosuke Chagawa (Hidetaka Yoshioka), a candy shop owner struggling to make it as a serious novelist and makes up for his literary shortcomings by regularly submitting juvenile stories for a boys' magazine. Hiromi Ishizaki (Koyuki), a sake bar owner with a shady past, receives Junnosuke (Kenta Suka), a boy abandoned by his single mother, to be left in her care and, in turn, she leaves the boy to Ryunosuke.
Taking place in a broadly idealistic and exaggeratedly whimsical parallel reality, Yamazaki may often succumb to contrived melodramatic trappings and a few missed comedic notes, yet his relentlessly effervescent tale possesses absorbing set pieces and a contagious joie de vivre none so more affectingly displayed by the film's closing shot. An unabashedly giddy fairy tale, "Always" is an ode and a love letter to the city's halcyon days as shared by its inhabitants who are slowly rising from its past and, slowly but surely, to the age of TV, refrigerator, and Coca-Cola.
- Jay_Exiomo
- 3 jul 2009
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- How long is Always: Sunset on Third Street?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Always: Sunset on Third Street
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 14.000.000 JPY (estimación)
- Recaudación en todo el mundo
- 38.675.638 US$
- Duración2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the Spanish language plot outline for Always san-chôme no yûhi (2005)?
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