PUNTUACIÓN EN IMDb
5,9/10
3,5 mil
TU PUNTUACIÓN
La vida de una mujer recién comprometida se vuelve un caos después de confesarle a su prometido que una vez experimentó con la bestialidad.La vida de una mujer recién comprometida se vuelve un caos después de confesarle a su prometido que una vez experimentó con la bestialidad.La vida de una mujer recién comprometida se vuelve un caos después de confesarle a su prometido que una vez experimentó con la bestialidad.
- Premios
- 3 nominaciones en total
Ernest Misko
- Priest
- (as Ernie Misko)
Argumento
¿Sabías que...?
- CuriosidadesBobcat wrote this movie in three days.
- PifiasWhen Amy and Mom come in to wake up John and Dougie in the morning, the piano is sitting on Dougie's crotch. Then it is not there. Then, Mom moves it back over his crotch before they leave the room.
- Créditos adicionalesNo animal was harmed or pleasured in the making of this movie.
- ConexionesReferenced in Strictly Background (2007)
- Banda sonoraBoum
Music by Charles Trenet
Lyrics by Charles Trenet
Performed by Charles Trenet
Courtesy of France Music Corp c/o Sunkin Law Corp. and Angel Records/EMI Classics
Reseña destacada
You fall in love. You know, you get that really special feeling, an amazing connection . . . ? "This could be the one," you say, "I feel I could tell this person anything." Total love, total honesty, total forgiveness. Unconditional.
Not!! Don't see this film with your fiancé, see it on your own . . .
Sleeping Dogs Lie is not standard rom-com, a tidy melodrama, or a gross-out comedy. It second-guesses the audience with its unconventional examination of relationships and the ideas we maybe too easily take for granted. Like the emotional headbanger movie, Closer, you will perhaps want time to think of the answers to give your beloved before they ask questions based on this movie. The best time to analyse relationships is when you're not in one. The second best time, as our intelligent, pretty, 26yr old protagonist discovers, is when you're learning from your past mistakes.
Amy (Melinda Page Hamilton) is fairly sure that John is the guy for her. They reach the, "Tell me something you've never told anyone else" stage. Yes, we're talking sexual things. But not on screen - just verbal and emotional. Trouble is, Amy is worried John won't love her if she tells him of her dark teenage misdemeanour.
If you have done something bad, that didn't hurt anyone else, you didn't intend any harm, and no-one found out, is telling your other half part of that 'total honesty' equation? Sharing feels good (selfish, but OK). Telling them before they find out from someone else is probably good tactics (selfish really, from fear, or at best protecting trust). But love for the other person isn't technically part of it. Not that you believe that. Amy goes for trial and error. John gives her a 'skeleton' and she wimps out. She gives him a made-up confession that he finds a turn on. For now.
When someone else finds out it might be accidental - but it can come back to haunt. Honesty involves more than intellectual decision. What if your mind 'forgives' someone but your sexual urge doesn't? And if you get the moral high ground, will that tempt you to lie so as to keep it? The film's resolution works on a 'minimising hurt to others' idea, which is quite convincing. Am I going to tell you Amy's secret? No - cos if I do, it will give you the wrong idea of the film, and it's in the first reel anyway.
This is a low budget movie ($50,000) that was very well received at the Sundance and San Sebastian film festivals. Acting is excellent, but the characters are not always very rounded and it is too uneven, uncategorisable a film for general viewing. Audience distance is made even greater by use of techniques like contrasting music ("When You're Smiling"' plays as they drive through miserable silence). I was about to get bored with it, but was already wondering if it was taking an avant-garde approach rather than being just an amateurish mainstream film. It comes very close to the bone when characters 'demand' that the object of their 'love' is 'honest' with them. (Do you have the right to insist on information about that part of someone's life that doesn't concern you?) The dilemmas are reflected into other relationships. Amy has to attend a funeral (she has fallen out with her Father - "I need you to love me, Daddy"), and needs a cigarette. "I didn't want you to know I knew," her father says.
Sleeping Dogs Lie may seem slapdash or tedious if you don't buy into the cerebral and emotional challenge. If you do, you may find it, as I did, quite edifying as well - as heartbreakingly poignant.
Not!! Don't see this film with your fiancé, see it on your own . . .
Sleeping Dogs Lie is not standard rom-com, a tidy melodrama, or a gross-out comedy. It second-guesses the audience with its unconventional examination of relationships and the ideas we maybe too easily take for granted. Like the emotional headbanger movie, Closer, you will perhaps want time to think of the answers to give your beloved before they ask questions based on this movie. The best time to analyse relationships is when you're not in one. The second best time, as our intelligent, pretty, 26yr old protagonist discovers, is when you're learning from your past mistakes.
Amy (Melinda Page Hamilton) is fairly sure that John is the guy for her. They reach the, "Tell me something you've never told anyone else" stage. Yes, we're talking sexual things. But not on screen - just verbal and emotional. Trouble is, Amy is worried John won't love her if she tells him of her dark teenage misdemeanour.
If you have done something bad, that didn't hurt anyone else, you didn't intend any harm, and no-one found out, is telling your other half part of that 'total honesty' equation? Sharing feels good (selfish, but OK). Telling them before they find out from someone else is probably good tactics (selfish really, from fear, or at best protecting trust). But love for the other person isn't technically part of it. Not that you believe that. Amy goes for trial and error. John gives her a 'skeleton' and she wimps out. She gives him a made-up confession that he finds a turn on. For now.
When someone else finds out it might be accidental - but it can come back to haunt. Honesty involves more than intellectual decision. What if your mind 'forgives' someone but your sexual urge doesn't? And if you get the moral high ground, will that tempt you to lie so as to keep it? The film's resolution works on a 'minimising hurt to others' idea, which is quite convincing. Am I going to tell you Amy's secret? No - cos if I do, it will give you the wrong idea of the film, and it's in the first reel anyway.
This is a low budget movie ($50,000) that was very well received at the Sundance and San Sebastian film festivals. Acting is excellent, but the characters are not always very rounded and it is too uneven, uncategorisable a film for general viewing. Audience distance is made even greater by use of techniques like contrasting music ("When You're Smiling"' plays as they drive through miserable silence). I was about to get bored with it, but was already wondering if it was taking an avant-garde approach rather than being just an amateurish mainstream film. It comes very close to the bone when characters 'demand' that the object of their 'love' is 'honest' with them. (Do you have the right to insist on information about that part of someone's life that doesn't concern you?) The dilemmas are reflected into other relationships. Amy has to attend a funeral (she has fallen out with her Father - "I need you to love me, Daddy"), and needs a cigarette. "I didn't want you to know I knew," her father says.
Sleeping Dogs Lie may seem slapdash or tedious if you don't buy into the cerebral and emotional challenge. If you do, you may find it, as I did, quite edifying as well - as heartbreakingly poignant.
- Chris_Docker
- 17 mar 2007
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- How long is Sleeping Dogs Lie?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Els gossos adormits menteixen
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 15.745 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.890 US$
- 22 oct 2006
- Recaudación en todo el mundo
- 638.627 US$
- Duración1 hora 27 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the French language plot outline for Los perros dormidos mienten (2006)?
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