PUNTUACIÓN EN IMDb
4,4/10
32 mil
TU PUNTUACIÓN
Cuando una misteriosa señal de teléfono celular provoca un caos apocalíptico, un artista está decidido a reunirse con su pequeño hijo en Nueva Inglaterra.Cuando una misteriosa señal de teléfono celular provoca un caos apocalíptico, un artista está decidido a reunirse con su pequeño hijo en Nueva Inglaterra.Cuando una misteriosa señal de teléfono celular provoca un caos apocalíptico, un artista está decidido a reunirse con su pequeño hijo en Nueva Inglaterra.
Jeff Hallman
- Hog Tied Man
- (as Jeffrey Hallman)
Argumento
¿Sabías que...?
- CuriosidadesAmong many differences from the source material, in the book, the zombie-like infected continue to have their brains re-written every night and evolve further psychic abilities, including telekinesis, which allows them to fly. This is explained as the infection having unlocked the human brain's latent supernatural potential. This idea is only vaguely alluded to in the film when the survivors of the boys school explain that the human brain is like a computer and that this could be the next stage in human evolution.
- PifiasOn Tom McCourt's advice, Clay puts a cellphone in the fridge to cool the battery down to make the charge last longer yet he fails to do the obvious and turn it off. Also the theory of 'making a phone battery last longer by freezing it' is dubious at most, but the characters may not know any better.
- Citas
Tom McCourt: Clay, I'm really sorry about your family.
Clay Riddell: Don't be sorry because there is nothing to be sorry about yet.
- Créditos adicionalesAfter the closing credits have finished, the catalyst signal from the movie plays for approximately 5-10 seconds, with no image, as if attempting to convert the audience.
- ConexionesFeatured in FoundFlix: Stephen King's CELL (2016) Ending Explained (2016)
- Banda sonoraI am glad, I am very glad, because i'm finally returning back home
aka "Trololo song"
Music by Arkadiy Ostrovskiy
Performed by Eduard Khil
Reseña destacada
Over the many year's movies have existed there's been a large number of questions raised by movies with answers non-forthcoming. These are questions that have been at the forefront of many a coffee date discussion, movie club forum or family dinner. Questions like who exactly is/was the "thing" (The Thing), is it a dream or reality (Inception), what was in the briefcase (Pulp Fiction) and now with this long completed and finally just released Stephen King adaptation we can add why exactly was John Cusack's in danger graphic novelist Clay Riddell so keen to pop on his beanie in the midst of a do or die cell phone lead apocalypse?
It's a question we may sadly never have answered and probably the only thing that will stick with you once Tod William's (where has the director who made The Door in the Floor gone?) film reaches its credit sequence, as this adaptation of one of King's least regarded books is one of those films just waiting to join the likes of The Wicker Man remake as a film that's just so bizarre and random it's hard to know who did and why they decided this was a film the public wanted.
In all its random glory however, if I was being totally honest, after all the negative press and jokes being made at its expense, Cell is not nearly as bad as it could've been when watched with the right mindset.
A seriously daft idea that induces a large amount of unintended laughter, Cell has its fair share of "what the" moments and it's a little sad seeing the likes of John Cusack (although he seems to have sold his movie soul some time ago now) and Samuel L. Jackson act through some insanely bizarre situations; I truly can't even begin to explain a scene involving a field of sleeping cell phone zombies, the film actually has some decent scenes and ideas that make this a B grade experience you can sit back and laugh at or with and an experience best watched with a room full of friends all up to witness a film that should never have made it to the cold light of day.
Through the history of movies we've been treated to King adaptation gold, from experiences like The Shawshank Redemption, The Green Mile, The Shining and The Mist, Cell is certainly not one of those and is certainly not a film of cinematic virtue but it's an experience that deserves to be seen as even if you hate every minute of this oddball ride its likely you've never seen anything like it before and if you solve the beanie mystery, please let me know.
2 troll lol lol's out of 5
It's a question we may sadly never have answered and probably the only thing that will stick with you once Tod William's (where has the director who made The Door in the Floor gone?) film reaches its credit sequence, as this adaptation of one of King's least regarded books is one of those films just waiting to join the likes of The Wicker Man remake as a film that's just so bizarre and random it's hard to know who did and why they decided this was a film the public wanted.
In all its random glory however, if I was being totally honest, after all the negative press and jokes being made at its expense, Cell is not nearly as bad as it could've been when watched with the right mindset.
A seriously daft idea that induces a large amount of unintended laughter, Cell has its fair share of "what the" moments and it's a little sad seeing the likes of John Cusack (although he seems to have sold his movie soul some time ago now) and Samuel L. Jackson act through some insanely bizarre situations; I truly can't even begin to explain a scene involving a field of sleeping cell phone zombies, the film actually has some decent scenes and ideas that make this a B grade experience you can sit back and laugh at or with and an experience best watched with a room full of friends all up to witness a film that should never have made it to the cold light of day.
Through the history of movies we've been treated to King adaptation gold, from experiences like The Shawshank Redemption, The Green Mile, The Shining and The Mist, Cell is certainly not one of those and is certainly not a film of cinematic virtue but it's an experience that deserves to be seen as even if you hate every minute of this oddball ride its likely you've never seen anything like it before and if you solve the beanie mystery, please let me know.
2 troll lol lol's out of 5
- eddie_baggins
- 16 jul 2016
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Tín Hiệu Diệt Vong
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 1.323.012 US$
- Duración1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39:1
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