Out of the Blue

On November 13, 1990, the peace and quiet that once reigned over the picturesque coastal village of Aramoana, New Zealand was forever shattered when one of its residents, a 38-year-old madman, went on an extended shooting spree, indiscriminately massacring more than a dozen of his fellow citizens and neighbors - innocent men, women and children alike.

Artfully directed by Robert Starkies, "Out of the Blue" is most notable for the matter-of-fact way in which it portrays the events of that day. The movie spends the first half hour or so focusing on the townspeople as they go about the business of their daily lives, blissfully unaware of the grim fate that awaits them. It's an unnerving reminder of just how fragile a thing life is, as it can be taken away without warning. Without a hint of sensationalism or phony theatrics, "Out of the Blue" plunges us deep into the heart of a real-life nightmare, staying true to the ordinary folk - both the victims and the survivors - who suffered through the ordeal and to the innate randomness of the event itself.

For obvious reasons, we don't get to know the characters all that well before they fall victim to the killer, but that's in keeping with the near-documentary nature of the film. And once the shooting starts, the focus shifts almost exclusively to the local law enforcement officials who are frankly ill-trained and poorly equipped to handle an emergency of this magnitude. Yet, out of the ugliness and chaos, acts of extraordinary heroism, self-sacrifice and kindness are born.

Beautifully photographed and exquisitely acted, "Out of the Blue" is a thriller in the truest sense of the term, made all the more gripping by its adhering so closely to life as we know it. Hollywood movie makers could learn a thing or two from this film.