Un asesino en serie regresa a su ciudad natal para acechar a siete niños que nacieron en la fecha en la que supuestamente lo enterraron.Un asesino en serie regresa a su ciudad natal para acechar a siete niños que nacieron en la fecha en la que supuestamente lo enterraron.Un asesino en serie regresa a su ciudad natal para acechar a siete niños que nacieron en la fecha en la que supuestamente lo enterraron.
- Premios
- 1 nominación en total
Argumento
¿Sabías que...?
- CuriosidadesThis is the first film that Wes Craven has both written and directed since La nueva pesadilla de Wes Craven (1994)
- PifiasDuring the phone conversation between Brandon and Brittany Brandon's iPhone shows the home screen.
- Citas
Bug: I am the condor. The Keeper of the Souls. I eat death for breakfast. I live in a house of blood and I accept that. That's all a man can do. I was ready to be arrested that night. I wasn't ready for what happened instead. Leah had told them everything and I was celebrated as a hero. Alex Dunkelman killed his stepfather, a cop, a mother, and five of the Riverton Seven. And I alone had stopped him from killing more. I didn't feel like a hero at all. But if it makes Riverton feel safe at night, I'll fake that I'm their hero. And I'll fake it good. Alex wouldn't have it any other way.
- Créditos adicionalesThe final shot shifts to an animated sequence during the end credits that shows a California condor using its blood to draw landscapes and various things.
- ConexionesFeatured in Estrenos Críticos: 10/06/2011 (2011)
- Banda sonoraPLAGUE BEARERS
Written by Karl Buechner, Scott Crouse, Ian Edwards, Dennis Merrick and Erick Edwards
Performed by Earth Crisis
Courtesy of Century Media
MSTT had a script and dialog of the level of some fresh-out-of-some-two-bit-drama-school reject, not of a nearly 40-year veteran of filmmaking. Half the dialog made no sense whatsoever, and the emotions of the actors was usually misplaced.
While the story had promise, the execution failed completely. At first, the action seemed forced to get to the central elements Craven was looking for, then the resolution bogged down in complete incoherence.
Craven can't blame some one else's script or studio insistence on cuts, 'cause this atrocity was all his. If this is the best he can do, he should retire. He's proved he has nothing left to add to horror.
And if my negative comments still don't dissuade you from seeing this atrocity, make sure you at least seek out 2D instead of the extra money for 3D, because...
THERE WAS NO Discernible 3D IN THE FILM WHATSOEVER!!!! Scenes which should have popped out of the screen, such as the ambulance crash, DIDN'T! It's quite obvious the studio realized what a piece of crap MSTT was and how it would plummet in ticket sales once work of mouth got out, so they did post-filming 3D conversion to bilk the poor suckers who went to see it opening weekend out of a few dollars more.
The only reason I didn't rate this a 1 is because, sadly, I have seen worse. But this one should be avoided at all costs.
2/10
- indyj1
- 8 oct 2010
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- My Soul to Take
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 14.744.435 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6.842.220 US$
- 10 oct 2010
- Recaudación en todo el mundo
- 21.500.813 US$
- Duración1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1