PUNTUACIÓN EN IMDb
7,8/10
123 mil
TU PUNTUACIÓN
Un músico callejero y una joven inmigrante checa viven una historia de amistad y colaboración artística en Dublín, en este musical ganador de un Oscar a la mejor canción.Un músico callejero y una joven inmigrante checa viven una historia de amistad y colaboración artística en Dublín, en este musical ganador de un Oscar a la mejor canción.Un músico callejero y una joven inmigrante checa viven una historia de amistad y colaboración artística en Dublín, en este musical ganador de un Oscar a la mejor canción.
- Ganó 1 premio Óscar
- 24 premios y 31 nominaciones en total
Markéta Irglová
- Girl
- (as Marketa Irglova)
Gerard Hendrick
- Lead Guitarist
- (as Gerry Hendrick)
Sean Miller
- Bank Manager
- (as Sean Millar)
Argumento
¿Sabías que...?
- CuriosidadesBob Dylan was such a big fan of the film that he arranged to have the two leads, Glen Hansard and Markéta Irglová, open for him on part of his world tour. Hansard and Irglová also covered Dylan's song "You Ain't Goin' Nowhere" for the film I'm Not There (2007).
- PifiasDuring the montage towards the end of the film, when the Girl is playing her new piano, the Girl's mother is cooking and stirring something on the stove-top. However, if you look closely, there is nothing in the pan. The mother is stirring the air with a spatula to appear as if she's cooking something.
- Versiones alternativasFilm prints have a few things at the beginning and end missing from the Fox DVD. After the Fox Searchlight logo and before the text-only company credits, the prints have a short silent logo for Summit Entertainment and then one for the Irish film board. At the end of the movie, once the credits crawl finishes, prints also have a short Fox Searchlight text-only card (containing the text "in association with" with no followup), a short card with a gigantic MPAA logo and number, and the blue R-rating screen.
- Banda sonoraAnd the Healing Has Begun
Written by Van Morrison
Performed by Glen Hansard
Published by Universal Music Publishing
Reseña destacada
From the moment ONCE begins, it is clear that the experience about to be had is unlike any you've had before. A busker sings for his dollar in the street. The quality of the image is grainy; the steadiness of the camera is shaky at best. The day turns into night and the song goes from bright to dark. The passion with which it is sung is almost overwhelming and suddenly borders on off putting. From the manner in which the busker is framed, it isn't clear whether anyone is there to hear his song but his fervor brushes skepticism aside and declares that the song itself and the satisfaction derived from singing it, outweigh the importance of having someone hear it. But someone is listening after all. A young woman from the Czech Republic stands transfixed before our busker on this Dublin street and a spark ignites the flame that gives ONCE its warmth. Writer/Director, John Carney, removes all convention from the movie musical and creates a film that reads like a well-written love song about two musicians falling in love with each other and the music they create together.
In the early 90's, Carney left his rock group, The Frames, to pursue a career in film-making. The Frames continued on without him and new lead singer, Glen Hansard, eventually took leave to search out new musical ventures, moving from Dublin to the Czech Republic. Here he met Marketa Irglova, a classically trained pianist, and they developed a project entitled The Swell Season. Though the two are not linked romantically, their meeting and the music that came out of that became Carney's inspiration for ONCE. During the week that follows their initial meeting on the street, the two artists who are never referred to by name in the film, learn to accept that they are inexplicably drawn to each other. Given the chance, a relationship between the two could become one that would help each other grow. He would make a great father figure to her young child and she would drive him to make something of himself. Though ONCE's tone is simple, these two characters' lives are not. He has a girlfriend in London he longs to be with but feels he cannot out of obligation to his father in Dublin, while she is still married to an estranged husband whom she is unsure she has a future with. The trick then becomes to remain in the moment with each other and never allow for their relationship to go where it naturally feels it should.
Albeit a modern approach to a movie musical, ONCE is not so modern that it leaves the music behind. Instead the music becomes the catalyst for love. She is first drawn to him by the sound of his song. He sings it with such passion that it gives her a direct view of his soul. It is not all who are able to show such vulnerability yet when the song ends, he trips over his spoken words and nothing comes out as it should. At first, she almost seems a nuisance to him. It isn't until he hears the beautiful music she can make with her hands that the glimpse of her soul captures all his attention. Theirs is a mating ritual carried out in song. When one sings or plays, the other listens. When one cannot express the proper sentiment in words, it is music that gets the point across. When the two find themselves alone in a local musical instrument shop, they learn what it means to sing together. In order to do so, they must truly listen to the sound of the other's voice and fall into the same pace and rhythm of their notes. Their voices, as it turns out, are the perfect compliment to each other. The harmony they create leads into a song that is itself a representation of the love between them, both fragile and pure.
The delicate chemistry between Hansard and Irglova is framed in such a stripped fashion that it only further serves to concretize the genuine sincerity between the two. Almost entirely hand held and lit only with natural light, ONCE seems less like intricate film-making and more like layered storytelling, or perhaps more appropriately, song writing. Put simply, ONCE is like a perfectly soft song played acoustically in a park; it seeps into your soul, soothing you as the sun beats down upon your smiling face, allowing for all cynicism to melt away while your reaffirmed belief in love is sung from your mouth.
In the early 90's, Carney left his rock group, The Frames, to pursue a career in film-making. The Frames continued on without him and new lead singer, Glen Hansard, eventually took leave to search out new musical ventures, moving from Dublin to the Czech Republic. Here he met Marketa Irglova, a classically trained pianist, and they developed a project entitled The Swell Season. Though the two are not linked romantically, their meeting and the music that came out of that became Carney's inspiration for ONCE. During the week that follows their initial meeting on the street, the two artists who are never referred to by name in the film, learn to accept that they are inexplicably drawn to each other. Given the chance, a relationship between the two could become one that would help each other grow. He would make a great father figure to her young child and she would drive him to make something of himself. Though ONCE's tone is simple, these two characters' lives are not. He has a girlfriend in London he longs to be with but feels he cannot out of obligation to his father in Dublin, while she is still married to an estranged husband whom she is unsure she has a future with. The trick then becomes to remain in the moment with each other and never allow for their relationship to go where it naturally feels it should.
Albeit a modern approach to a movie musical, ONCE is not so modern that it leaves the music behind. Instead the music becomes the catalyst for love. She is first drawn to him by the sound of his song. He sings it with such passion that it gives her a direct view of his soul. It is not all who are able to show such vulnerability yet when the song ends, he trips over his spoken words and nothing comes out as it should. At first, she almost seems a nuisance to him. It isn't until he hears the beautiful music she can make with her hands that the glimpse of her soul captures all his attention. Theirs is a mating ritual carried out in song. When one sings or plays, the other listens. When one cannot express the proper sentiment in words, it is music that gets the point across. When the two find themselves alone in a local musical instrument shop, they learn what it means to sing together. In order to do so, they must truly listen to the sound of the other's voice and fall into the same pace and rhythm of their notes. Their voices, as it turns out, are the perfect compliment to each other. The harmony they create leads into a song that is itself a representation of the love between them, both fragile and pure.
The delicate chemistry between Hansard and Irglova is framed in such a stripped fashion that it only further serves to concretize the genuine sincerity between the two. Almost entirely hand held and lit only with natural light, ONCE seems less like intricate film-making and more like layered storytelling, or perhaps more appropriately, song writing. Put simply, ONCE is like a perfectly soft song played acoustically in a park; it seeps into your soul, soothing you as the sun beats down upon your smiling face, allowing for all cynicism to melt away while your reaffirmed belief in love is sung from your mouth.
- moutonbear25
- 2 jun 2007
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- How long is Once?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Một Lần Như Thế
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 150.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 9.439.923 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 61.901 US$
- 20 may 2007
- Recaudación en todo el mundo
- 20.939.022 US$
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