1. Mai

Name: 1. Mai
Genre: Drama
Released: 2008-04-30
Duration: 1 h 38 min
Rating: 6.3
Cast: Benjamin Höppner, Leonie Brandis, Randy Herbst

2008
1h 38min

PUNTUACIÓN EN IMDb

6,3/10

251

TU PUNTUACIÓN

Drama

Añade un argumento en tu idiomaAn eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emoti... Leer todoAn eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year. Little Yavuz is eager to gain recognition and is determin... Leer todoAn eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year. Little Yavuz is eager to gain recognition and is determined to 'floor a cop' in order to impress his older brother. But then he meets Hary, a oneti... Leer todo

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- 2 nominaciones en total

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Reseña destacada

7/10

Student-film-ish, but true-to-life depiction of contemporary Berlin

Berlin is a fascinating place and this film reflects a slice of contemporary Berlin that I haven't seen so accurately portrayed elsewhere. The film is at its best when it sticks to relatively low-drama depictions of the fabric of the society surrounding the May 1st festival in today's Berlin. The film-maker focuses on small side stories about, for instance, second-generation immigrant youth, unhappy police officers and a true-to-life Quixotic leftist, left over from political struggles that smack of merely "historical" relevance.

The film is flawed, unwilling to be satisfied with the sort of gentle drama & humor that works so well throughout. I don't know the background of the film -- if it is an experiment, I hope the director will decide with me that some parts worked and some didn't and go on to make more movies in the mode of what worked, here.