Tras ser abandonado por la chica que cree que es su alma gemela, el romántico empedernido Tom Hansen reflexiona sobre su relación para intentar averiguar en qué se equivocó y cómo puede recu... Leer todoTras ser abandonado por la chica que cree que es su alma gemela, el romántico empedernido Tom Hansen reflexiona sobre su relación para intentar averiguar en qué se equivocó y cómo puede recuperarla.Tras ser abandonado por la chica que cree que es su alma gemela, el romántico empedernido Tom Hansen reflexiona sobre su relación para intentar averiguar en qué se equivocó y cómo puede recuperarla.
- Premios
- 17 premios y 58 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesAccording to the DVD commentary, one of the film's writers estimates that 75% of the film actually happened to him.
- PifiasSummer's heart shaped birthmark on the left side of her neck is is shown twice (same footage) but is then not seen in situations where it should clearly be visible (most notably during the wedding scene where she is dancing with Tom).
- Citas
Author's Note: The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental. Especially you Jenny Beckman. Bitch.
- Créditos adicionalesAt the beginning of the movie, before the title, a disclaimer states: AUTHOR'S NOTE: The following is a work of fiction. Any resemblance to any persons living or dead is purely coincidental. ------------------------------------------------------------------- Especially you Jenny Beckman. ------------------------------------------------------------------- Bitch.
- ConexionesEdited into #BerhentiDiKamu (2021)
- Banda sonoraUs
Written and Performed by Regina Spektor
Courtesy of Sire Records
By arrangement with Warner Music Group Film & TV Licensing
Tom (Joseph-Gordon-Levitt) is a wanna-be architect turned professional greeting card writer whose life is thrown for a loop when he suddenly falls for the "new girl" Summer (Zooey Deschanel, Almost Famous). As one who appeared most certainly unattainable at first glance, Tom manages to charm her into what she coins as a, "casual relationship." Eventually, Tom ends up questioning their status with one another, which manages to put strain on the relationship, causing her to request the dreaded "time apart." (500) Days of Summer chronicles the bitter sweet beginnings, the untimely endings and all of that confusing stuff that takes place during the in betweens of a relationship that just isn't meant to be.
(500) Days of Summer is presented in an effective non-linear style that sets it apart from its romantic comedy predecessors, rotating back and forth between dates signified by a simple title card flashing in between scenes (2), (50), (150) and so on to represent the various days in the course of Toms roller coaster of a relationship. This seesaw method of bouncing to and fro successfully manages to force the viewer in a physically engaging shared experience of Tom's feelings, which is something every director aspires to elicit from their intended audience.
The real kudos go to Scott Neustadter and Michael Weber, whose script is practically flawless. You can't help but feel that their authenticity and attention to detail while constructing each scene through appropriately sarcastic and funny dialogue exchanges among all of the main characters involved, particularly those between Deschanel and Levitt which come across as heartbreakingly real and genuine. Their creative way of crafting the simple concept of a break up through unconventional story structuring is a refreshing concept that begs to be seen more in a world where most conventional films tend to play it safe.
Leads Deschanel and Levitt manage to bring something quite special to the screen in their portrayals of Tom and Summer (both "last nameless"). Their chemistry is really what makes the film a joy to watch. Mostly thanks to Neustadter and Weber's superb dialog, both actors seem so comfortable in their roles that their interactions with one another transcend the screen and naturally unfold before our eyes as if we were voyeurs to their unraveling, wanting so much to change the fate of their outcome, but helpless to do so. Deschanel is sexy, carefree and bound to be adored by males everywhere as Summer. Levitt captures the struggle of the neurotic "boy in love" exceptionally through all of his various stages of emotional imbalance.
(500) Days of Summer is a poem to every down and out guy who thinks he's the only one whose ever been dragged through the mill by their own Summer. What undoubtedly ends up making this picture so brilliant is how relatable it is to its victims and victimizers a like. When all is said and done, there is most definitely a lesson to be learned by Tom's experiences. Everyone you meet along the way, whether just passing through or sticking around for awhile, has a purpose. In the end nothing lasts forever, relationships begin, relationships end. Try to be thankful for all the people that broke your heart, they more than likely helped you find yourself in the process especially you, Summer bitch.
- amarcordforever
- 14 jul 2009
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- 500 días con ella
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 7.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 32.391.374 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 834.501 US$
- 19 jul 2009
- Recaudación en todo el mundo
- 60.801.288 US$
- Duración1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1