PUNTUACIÓN EN IMDb
6,6/10
101 mil
TU PUNTUACIÓN
Un policía se convierte en un estafador al salir del armario. Irá a la cárcel y ahí conocerá al amor de su vida. Nada le detendrá para estar a su lado.Un policía se convierte en un estafador al salir del armario. Irá a la cárcel y ahí conocerá al amor de su vida. Nada le detendrá para estar a su lado.Un policía se convierte en un estafador al salir del armario. Irá a la cárcel y ahí conocerá al amor de su vida. Nada le detendrá para estar a su lado.
- Premios
- 6 premios y 11 nominaciones en total
Marylouise Burke
- Barbara Bascombe
- (as Mary Louise Burke)
Aunjanue Ellis-Taylor
- Reba
- (as Aunjanue Ellis)
Argumento
¿Sabías que...?
- CuriosidadesIn the last courtroom scene, Steven's lawyer is played by the real-life Phillip Morris.
- PifiasWhen Steven is leaving the private care facility the calender shown skips the 14th of the month.
- Citas
Phillip Morris: Enough romance. Let's fuck!
- Créditos adicionalesThe very end of the credits has a list of Thank Yous. The last two items on the list are Redbull and Xanax.
- ConexionesFeatured in De wereld draait door: Episodio #5.154 (2010)
- Banda sonoraHallelujah, We Shall Rise
Performed by The Yellowdog Prophet Choir
Directed by Albinas Prizgintas
Produced and Arranged by Jay Weigel
Written by J.E. Thomas
Courtesy of Interpublications, Texas Legendary Music (BMI)
Eric Zukoski Music (BMI)
Reseña destacada
Continuing my MIFF reviews, I saw this last week with a packed house at Greater Union.
Firstly, it has to be said that it's a tragedy that this film's general release has been such a stifled process. The entertainment value of this picture, its expert construction and superb performances cannot be denied.
Carrey turns in what is possibly his best performance in a decade. It's bizarre, the way that his signature antics actually enhance rather than diminish the dramatic aspects of this film, based loosely on real life events. In fact, for me, the movie trumps The Truman Show as Carrey's true coming of age as a performer of depth. Ewan McGregor is equally astonishing as Phillip Morris - you'd swear you were watching the kind of unique romantic chemistry between two actors that arrives very rarely in cinema, and virtually never between two A-listers playing gay lovers; but the love story is only a foundation for what emerges as a kinetic, superbly told comedy-drama about the real life exploits of con man and recidivist prison escapee Steven Jay Russell.
Directors/writers Glenn Ficarra and John Requa expertly handle the tensions of comic and dramatic performance and also prove to have a masterly touch with the frenzied action sequences. Bit parts are cast beautifully. You can see the attention to detail and craft in this movie.
It can only be assumed that the gay context of this film has cost it it's commercial potential in the eyes of distributors, because everything else about it spells box office success. Apparently, it will finally have a limited release in the US in October this year, with the potential of expansion.
Without spoiling any of the twists of the film's detailed series of events, the film succeeds at beautifully hijacking audience expectation time and again. Just when you think you've got the film pinned for being predictable, suddenly it flips on you with a wry smile as if to say, "I knew what you were thinking".
I'm not sure how close the producers stuck to the facts, but it scarcely matters. If 5% of this narrative is true, it would be amazing in itself. I would be happy if the film was complete fiction.
It's a wonderful, assured comedy and deserves wide commercial exploitation.
Firstly, it has to be said that it's a tragedy that this film's general release has been such a stifled process. The entertainment value of this picture, its expert construction and superb performances cannot be denied.
Carrey turns in what is possibly his best performance in a decade. It's bizarre, the way that his signature antics actually enhance rather than diminish the dramatic aspects of this film, based loosely on real life events. In fact, for me, the movie trumps The Truman Show as Carrey's true coming of age as a performer of depth. Ewan McGregor is equally astonishing as Phillip Morris - you'd swear you were watching the kind of unique romantic chemistry between two actors that arrives very rarely in cinema, and virtually never between two A-listers playing gay lovers; but the love story is only a foundation for what emerges as a kinetic, superbly told comedy-drama about the real life exploits of con man and recidivist prison escapee Steven Jay Russell.
Directors/writers Glenn Ficarra and John Requa expertly handle the tensions of comic and dramatic performance and also prove to have a masterly touch with the frenzied action sequences. Bit parts are cast beautifully. You can see the attention to detail and craft in this movie.
It can only be assumed that the gay context of this film has cost it it's commercial potential in the eyes of distributors, because everything else about it spells box office success. Apparently, it will finally have a limited release in the US in October this year, with the potential of expansion.
Without spoiling any of the twists of the film's detailed series of events, the film succeeds at beautifully hijacking audience expectation time and again. Just when you think you've got the film pinned for being predictable, suddenly it flips on you with a wry smile as if to say, "I knew what you were thinking".
I'm not sure how close the producers stuck to the facts, but it scarcely matters. If 5% of this narrative is true, it would be amazing in itself. I would be happy if the film was complete fiction.
It's a wonderful, assured comedy and deserves wide commercial exploitation.
- tristanhousden
- 4 ago 2010
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Phillip Morris, t'estimo!
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 13.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 2.037.459 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 112.520 US$
- 5 dic 2010
- Recaudación en todo el mundo
- 20.768.906 US$
- Duración1 hora 42 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was Philip Morris ¡Te quiero! (2009) officially released in India in Hindi?
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