Ponniyin Selvan: Part One

The Common Fiction mood is there in the film that mainly progresses the story in a very different and enfold way . The fiction itself lies on the title of the Film as Ponniyin Selvan son of Ponni ( River Ponni ) is saved by her from drowning and thereafter holds the Title.

Rivalry, War and Diplomacy are the stuff that surround the events. There are multiple action scenes. But the main motion is controlled by efficient diplomacy and conspiracy by the people of the royal family and their close ones.

The Screening is undoubtedly amazing. Whether it's the entries of the mainstream characters or the presentations of the songs and dance performance.

All the characters have their own shade and caliber to get the audience's attention. Each character is connected to each other in some way. And the net is spread in a very beautiful manner through all of them.

Very much progressive as a cinematic prologue in its own way.

Mani Sir literally insists the audience by his storytelling to think in a way like the dynasty about which the film is. PS I is mostly about knowing the characters and critical assumptions of the audiences.

Must Watch to Know a deep Rooted psychology and chronological suspense. Its a film greatly scripted down.

And and and Last But Not The Least A. R Rahman's music are just gob smacking.