PUNTUACIÓN EN IMDb
7,5/10
1,2 mil
TU PUNTUACIÓN
Una familia dividida por tener que tomar decisiones que ningún padre querría tomar.Una familia dividida por tener que tomar decisiones que ningún padre querría tomar.Una familia dividida por tener que tomar decisiones que ningún padre querría tomar.
- Nominado a 2 premios BAFTA
- 2 premios y 4 nominaciones en total
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I'm a single guy with no kids so there's no way I could ever truly empathise with these parents.
What I can comment on though is how incredibly well the core characters have been crafted, warts and all. I found myself swinging from loathing Sharon Horgan's character to rooting for her and her unrelenting quest. She is not a martyr though. She is flawed - like all of us - and her character can be so polarising at times. However, at the core is a truly brilliant performance. Michael Sheen is great as always and T'nia Miller (uncredited???) continues to show her brilliant acting chops. I'm obsessed with her charismatic performances.
What I loved most about this limited series is the fact that sometimes we, as the audience, are not meant to view in black and white but instead feel squeamish, sympathise,, hurt deep in the gut, be angered and unsettled, take sides, lose faith in those sides, reposition our own compass and, at the end, leave with soulful wonderings after the credits roll. This is what top class storytelling is all about.
It's not a 10 for me but damn, this is fine viewing.
What I can comment on though is how incredibly well the core characters have been crafted, warts and all. I found myself swinging from loathing Sharon Horgan's character to rooting for her and her unrelenting quest. She is not a martyr though. She is flawed - like all of us - and her character can be so polarising at times. However, at the core is a truly brilliant performance. Michael Sheen is great as always and T'nia Miller (uncredited???) continues to show her brilliant acting chops. I'm obsessed with her charismatic performances.
What I loved most about this limited series is the fact that sometimes we, as the audience, are not meant to view in black and white but instead feel squeamish, sympathise,, hurt deep in the gut, be angered and unsettled, take sides, lose faith in those sides, reposition our own compass and, at the end, leave with soulful wonderings after the credits roll. This is what top class storytelling is all about.
It's not a 10 for me but damn, this is fine viewing.
- matthewconnell-60609
- 20 jun 2023
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