Los residentes de un barranco solitario en el interior de California son testigos de un descubrimiento extraño y escalofriante.Los residentes de un barranco solitario en el interior de California son testigos de un descubrimiento extraño y escalofriante.Los residentes de un barranco solitario en el interior de California son testigos de un descubrimiento extraño y escalofriante.
- Premios
- 43 premios y 180 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe very early clip of a jockey riding a horse, which Emerald claims features her and OJ's ancestor, is a real 1878 animated series of photographs, one of the first moving images ever, which has come to be called Sallie Gardner at a Gallop (1878). Sallie Gardner is the name of the horse; the two jockeys were listed as being named "C. Marvin" and "G. Domm." Neither of their identities are known, though they very well could have been black as Emerald claims. In those days many jockeys were black, such as thirteen of the fifteen jockeys racing at the first Kentucky Derby in 1875.
- PifiasAfter the horse Clover is found wandering out in the field, the character O.J. begins to escort the horse back to its home. But once they start walking, the horse's mane changes colors between black and white (indicating two different horses were used). This happens about 45 to 46 minutes into the film.
- Citas
Antlers Holst: This dream you're chasing, where you end up at the top of the mountain, all eyes on you... it's the dream you never wake up from.
- Créditos adicionalesAt the very end of the credits, a cartoony image/advertisement appears: "Come ride through Jupiter's Claim, as seen in Nope, at Universal Studios Hollywood, only on the World-Famous Studio Tour."
- ConexionesFeatured in Super Bowl LVI (2022)
- Banda sonoraLa Vie c'est Chouette
Music by François d'Aime
Lyrics by Pierre Billon
Performed by Jodie Foster
Courtesy of Cinemag Bodard
By arrangement with Editions Montparnasse
Reseña destacada
I can honestly say I have never had any movie grip me with so much curiosity and excitement in the first 30 minutes only to end with so great a weight of disappointment at it's close.
As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.
There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.
Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.
I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.
It was generally not good - and it really pains me to say that.
As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.
There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.
Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.
I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.
It was generally not good - and it really pains me to say that.
- max-dominic
- 11 mar 2024
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- 68.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 123.277.080 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 44.366.910 US$
- 24 jul 2022
- Recaudación en todo el mundo
- 171.235.592 US$
- Duración2 horas 10 minutos
- Color
- Mezcla de sonido
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