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The almost-universal appeal of Drishyam's plot, adapted to suit Chinese audiences, does away with the soapy-family-drama elements of the original and gets into thriller-mode from the 15th minute. While I appreciate this aspect and the little contextual tweaks that director Sam Quah incorporates into the film, Sheep Without a Shepherd poses a same-but-different set of questions regarding the crime's cover-up. More than that, the climax here is handled in the most unconvincing way (yes, it's different from that of Drishyam!). The making style and visual aesthetics are far better here, however. The performances too, are pretty good. As such, Sheep Without a Shepherd did entertain me but that ill-conceived ending takes away an extra star.