La historia de como Billy Beane compuso un equipo de baseball con un presupuesto limitado utilizando análisis generado por ordenador para escoger nuevos jugadores.La historia de como Billy Beane compuso un equipo de baseball con un presupuesto limitado utilizando análisis generado por ordenador para escoger nuevos jugadores.La historia de como Billy Beane compuso un equipo de baseball con un presupuesto limitado utilizando análisis generado por ordenador para escoger nuevos jugadores.
- Nominado para 6 premios Óscar
- 29 premios y 82 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesSince there was no money to shoot in all the stadiums the Oakland Athletics visited, Dodger Stadium was dressed up as eight different ballparks.
- PifiasThe movie takes place right after the 9/11 attacks, when most non-passengers would not be allowed to say goodbye to passengers at the gate, inside airport security, as Billy Beane does. However, Beane is allowed to because his daughter is flying as an unaccompanied minor; as her guardian, he is allowed to escort her through security to the gate even though he is not flying.
- Citas
Peter Brand: The Visalia Oaks and our 240 lb catcher Jeremy Brown, who as you know, scared to run to second base. This was in a game six weeks ago. This guy is going to start him off with a fastball. Jeremy's going to take him to deep center. Here's what's really interesting, because Jeremy's gonna do what he never does. He's gonna go for it. He's gonna around first and he's gonna go for it. Okay?
[On the video, Jeremy trips and falls over first base]
Peter Brand: This is all Jeremy's nightmares coming to life.
Billy Beane: Awwww, they're laughing at him.
Peter Brand: And Jeremy's about to find out why. Jeremy's about to realize that the ball went 60 feet over the fence. He hit a home run and didn't even realize it.
- ConexionesFeatured in Conan: President Bjork Saves the Day (2011)
- Banda sonoraNew York New York
Written by Fred Ebb and John Kander
Billy Beane (Brad Pitt) is a former major leaguer turned general manager of the Oakland A's. After losing in the playoffs to the Yankees, the A's lose their stars to free agency. Billy is tasked with rebuilding despite a payroll that leaves the A's trailing the competition.
While going through the usual motions, Billy happens by Pete Brand (Jonah Hill), an economist who may have found a way to scout baseball with the efficiency the A's need. The two delve in head first, and despite some tough outings they never back down.
Pitt is at the top of his game. As an everyman—or at least one that isn't played up as wealthy, a man struggling to keep his job—frustration is clearly seen in Pitt's face. Pitt brings humanity to the ominous job of a general manager. Flashbacks of his stint in "the show" surmise his entire life, be it his divorce or relationship with his daughter Casey (Kerris Dorsey).
Moneyball is not the action-packed sports outing one may be expecting. Director Bennett Miller spends very little time focusing on the game of baseball, or even the personalities of the players. Moneyball is a movie about management. Its deadpan, forthright approach is fresh compared to the typical underdog story filled with home runs and stolen bases. There's no electrifying music or thrilling speeches, but the excitement found in a phone call is realized as well as one could imagine. I don't think any actor other than Hill could pull of his slowly clinched fist.
Like the good sports films, Moneyball shares a deeper meaning than simply winning. Immediately the value of loyalty comes to mind. The sports genre is changing, much like how the crew of this story changed talent scouting. Just last year a movie rose up about the struggle to manage a boxer, and now here's the struggle to manage a team.
- Legendary_Badass
- 20 sept 2011
- Enlace permanente
Selecciones populares
- How long is Moneyball?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Moneyball
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 50.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 75.605.492 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 19.501.302 US$
- 25 sept 2011
- Recaudación en todo el mundo
- 110.206.216 US$
- Duración2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1