En una ciudad plagada de injusticias, el expolicía Billy Taggart busca la redención y la venganza tras ser traicionado por su figura más poderosa: el alcalde Nicholas Hostetler.En una ciudad plagada de injusticias, el expolicía Billy Taggart busca la redención y la venganza tras ser traicionado por su figura más poderosa: el alcalde Nicholas Hostetler.En una ciudad plagada de injusticias, el expolicía Billy Taggart busca la redención y la venganza tras ser traicionado por su figura más poderosa: el alcalde Nicholas Hostetler.
- Premios
- 1 premio en total
- Secretary - Hostetler
- (as a different name)
Argumento
¿Sabías que...?
- CuriosidadesAs one of the producers, Mark Wahlberg offered the role of Billy Taggart to Michael Fassbender, but when he declined, Wahlberg ended up playing the part himself.
- PifiasIn Jack Valliant's elections headquarters there's a poster with the Hebrew word for "Jewish". Though those are the correct letters of the word, they're written left to right instead of right to left (hsiwej).
- Citas
Billy Taggart: I did it to keep a woman.
Cathleen Hostetler: Then you *do* believe in love.
Billy Taggart: I believe in loving the one you're with.
Cathleen Hostetler: Mm, what are you, stupid or Catholic?
Billy Taggart: Both.
- ConexionesFeatured in The Tonight Show with Jay Leno: Episodio #21.74 (2013)
- Banda sonoraYou Let Me Down
Written by Harry Warren and Al Dubin
Performed by Billie Holiday
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
A familiar zone that gets freshened up with a fast plot, some great acting, and a series of twists that never ends.
At first this seems to be a cop story, then a cop story involving the mayor as he runs for office. The mayor is played with such conviction and charm by Russell Crowe you end up rooting for him even as the plot clearly turns against him. But more important is the cop, vilified and with dubious ethics, played by Mark . He's tough, easily duped, and eventually principled—depending on what your principles are.
Beyond the plot (which I'll get to) and the clashing of big personalities (which works), what makes this movie tick is how well it's made. Those prosaic things like editing and photography really meld and take on a force that sucks you in without exaggeration or affectation. It's a straight ahead film in many ways, but invested with intensity and solidity enough to make it really commanding, despite some holes in the plot.
Why the unfavorable response by so many? This might be helpful before diving in. The key is some kind of believability. Wahlberg plays a troubled cop in a troubled relationship (which is a cliché of these kinds of movies), and then becomes a low level detective taking sneaky pictures of adulterous situations. And as a photography myself I have to say this part of the movie is rotten stupid—the way he hides is one thing (bad) but the way he uses his camera is just silly. And getting results (which we are told about later) that are impossible given what we were shown earlier.
Then there is the motivation behind it al, which I can't reveal (and which won't be clear until the end, if even quite then). Since the movie has no real tricks up its sleeve, it depends on a convincing series of events, which it doesn't quite have. The events taken one by one are bold and well done, sometimes very well done, but they don't quite accelerate into a coherent, gripping plot.
For those who watch movies for what happens (the action, the plot), this will be a struggle. But if you also get into the ambiance, the acting, and the visuals, you might give it a shot. I watched it straight through and was interested all along. Maybe I kept holding out hope that it would gel by the end (it does not), but if that's what it takes to watch it, give that a try!
- secondtake
- 30 dic 2013
- Enlace permanente
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- La trama
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 19.701.164 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8.268.908 US$
- 20 ene 2013
- Recaudación en todo el mundo
- 34.737.199 US$
- Duración1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1