El calendario de adviento

It's easy to scoff at the ridiculous premise, assigning sinister origins to innocuous items is usually a sign of a stupid movie, and "evil advent calendar" is as dumb as they come. Yet somehow they managed to wring a quality picture out of this ludicrous idea.

The tone is uniformly dark and serious, with the camerawork capturing some great low light shots and Eugénie Derouand expertly showcasing her character's turmoil. The plot mixes it's supernatural themes with the real world tragedies of living with a disability, and has an interesting focus towards the moral quandary of inflicting harm on others to service yourself. It all heats up to some gruesome ends, the effects work on the monsters is stellar, it's an inventive creature that's scary as hell without looking the least bit cheesy, and though things get pretty bloody, it's never as uncomfortably squeamish as other French horror films have been. I may have preferred a more conclusive resolution, but I still see the merit in how they chose to wrap things up.