Una crónica de los primeros años de John Lennon, centrada principalmente en su adolescencia y su relación con su severa tía Mimi.Una crónica de los primeros años de John Lennon, centrada principalmente en su adolescencia y su relación con su severa tía Mimi.Una crónica de los primeros años de John Lennon, centrada principalmente en su adolescencia y su relación con su severa tía Mimi.
- Nominado a 4 premios BAFTA
- 6 premios y 21 nominaciones en total
Aaron Taylor-Johnson
- John
- (as Aaron Johnson)
Chris Coghill
- Cunard Yank
- (as Christopher Coghill)
Argumento
¿Sabías que...?
- CuriosidadesDirector Sam Taylor-Johnson consulted her friend Sir Paul McCartney about the script. McCartney said that John Lennon didn't really ride on the top of the double-decker bus like he does in the script. He also revealed that the character of Lennon's aunt, Mimi Smith, wasn't as mean and vitriolic like she was written in the script. Furthermore, the song "In Spite of All the Danger" wasn't written as an ode to Lennon's mother as the script suggests. In the end, they agreed that it's a movie rather than documentary, so Taylor-Johnson made inferences that weren't always there.
- PifiasWhen Paul first saw John, John was singing "Come and go with me" not "Maggie Mae"
- ConexionesFeatured in Breakfast: Episodio fechado 30 noviembre 2009 (2009)
- Banda sonoraWild One
Written by Johnny Greenan (as John Greenan), Johnny O'Keefe, Dave Owens
Published by (c) 1958 MPL Communications Inc.
Melody Lane Publications, Inc.
Performed by Jerry Lee Lewis
Licensed from Licencemusic.com ApS
Courtesy of Sun Entertainment Corporation
Reseña destacada
This biopic of John Lennon, taking his story from his schooldays in Liverpool up until the departure of the nascent Beatles for Hamburg, is an exceptional movie, quite the best I have seen during 2009. The story is beautifully handled from beginning to end and the acting from the three main leads is superb. Aaron Johnson manages to portray Lennon's mixture of cockiness (in more ways than one!), aggression, painful vulnerability, bewilderment and sheer adolescent verve with great sureness of touch. We watch Lennon developing from school-kid into knowing young man, and we literally see a different face at the end of the movie to the one we did at the start. Superb playing by Johnson, brilliantly assisted by that of Kristin Scott Thomas as his Aunt Mimi and Anne-Marie Duff as his mother, Julia. It would have been all too easy to lapse into cliché with this story but this is largely avoided. We get glimpses of Liverpool - an opening on the steps of St George's Hall, a fleeting glimpse of Strawberry Fields, a shot of a ferry on the Mersey - but these glimpses are all we need. And the movie closes not with a rendition of an all too predictable 'Nowhere Man' but a beautifully performed 'In Spite of All the Danger'. They say it's a long way to the top if you wanna rock n' roll; in Nowhere Boy we can see where it, and we, all began.
- flickernatic
- 29 dic 2009
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.457.248 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 52.749 US$
- 10 oct 2010
- Recaudación en todo el mundo
- 6.577.779 US$
- Duración1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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