Una muñeca hinchable de tamaño natural vive en un modesto piso de Tokio. Es la única compañía de su solitario amo, un hombre de mediana edad. Él le habla, la baña y le hace el amor cada día ... Leer todoUna muñeca hinchable de tamaño natural vive en un modesto piso de Tokio. Es la única compañía de su solitario amo, un hombre de mediana edad. Él le habla, la baña y le hace el amor cada día cuando vuelve del trabajo.Una muñeca hinchable de tamaño natural vive en un modesto piso de Tokio. Es la única compañía de su solitario amo, un hombre de mediana edad. Él le habla, la baña y le hace el amor cada día cuando vuelve del trabajo.
- Premios
- 1 premio y 4 nominaciones en total
- Junichi
- (as Arata)
Argumento
¿Sabías que...?
- CuriosidadesAdapted from "Gouda's Philosophical Discourse: The Pneumatic Figure of a Girl'' (2000), a 20-page graphic short story by manga artist Yoshiie Gouda.
- Citas
Nozomi: It seems life is constructed in a way that no one can fulfill it alone.
Nozomi: Just as it's not enough for flowers to have pistils and stamens, an insect or a breeze must introduce a pistil to a stamen...
Nozomi: Life contains its own absence, which only an other can fulfill...
Nozomi: It seems the world is the summation of others and yet, we neither know nor are told that we will fulfill each other...
Nozomi: We lead our scattered lives, perfectly unaware of each other...
Nozomi: Or at times, allowed to find the other's presence disagreeable...
Nozomi: Why is it that the world is constructed so loosely?
- ConexionesFeatured in At the Movies: Cannes Film Festival 2009 (2009)
Based on the Yoshiie Goda manga of the same name, 'Air Doll' is a fantastical, yet grounded, nuanced drama about a blow-up doll that magically comes to life. As the doll Nozomi explores the world, she experiences life for the first time. Encountering various people, her interactions reveal deep aspects of human loneliness and connection. Nozomi's journey from being an object to developing consciousness serves as a poignant metaphor for the universal struggle for identity and meaning in a seemingly indifferent world.
Nozomi grapples with feelings of emptiness and a desire for a soul, mirroring the human quest for purpose and self-fulfilment. The relationships she forms with those around her- including her owner, who initially sees her as nothing more than an object, and a video store clerk who becomes an unexpected confidante- highlight the fragility of human connections and the profound impact of companionship and understanding.
While a devastating watch, it also contains humour. Kore-eda masterfully combines elements of whimsy and melancholy, underscoring the film's exploration of existential themes. Moreover, it challenges one to ponder the essence of humanity and the complexity of emotions defining our existence. It is a testament to Kore-eda's ability to craft films that resonate on a deeply emotional level, prompting one to reflect on one's own life long after the credits have rolled.
Ping Bin Lee's cinematography is integral to the film's impact. He makes use of dreamy, ethereal lighting, creating a surreal atmosphere mirroring Nozomi's childlike wonder and newfound sentiency. The muted colour palette enhances the film's melancholic yet whimsical feel, while Lee's careful framing and composition serves to highlight the vastness of Tokyo. This often dwarfs Nozomi, symbolizing her journey from object to being. Reflective surfaces, empty spaces and fluid camera movements help immerse viewers in her perspective, emphasizing themes of urban loneliness and self-discovery.
Moreover, Yôhei Taneda's production design creates a stark contrast between the drab environment of Nozomi's owner's apartment with the vibrant streets of Tokyo, again reflective of her journey. Additionally, the score from Katsuhiko Maeda (working under the name World's End Girlfriend) enhances it's emotional depth. Kore-eda's purposeful editing is smooth and contemplative, allowing one to lose oneself in Nozomi's world.
Bae Doona stars as Nozomi, delivering a nuanced performance that is a masterclass in understatement and physicality. Her expressive eyes and body language effectively convey Nozomi's wonder, confusion and eventual longing for human connection. Doona perfectly captures the innocence and curiosity of her character with subtlety, making her transformation believable and poignant.
Her co-stars also deliver. Itsuji Itao is both seedy and pitiful as Nozomi's owner, bringing a vulnerability to the role that is most interesting. Arata Iura, as the video store clerk, deftly displays the compassionate empathy of his character, while Joe Odagiri thoughtfully underplays the smaller role of Nozomi's creator, making him something of a philosopher-poet. In Addition, Masaya Takahashi does marvellous work as an old man Noriko befriends, and the rest cannot be faulted.
As is the case with many of his films, Hirokazu Kore-eda's 'Air Doll' is a touching, tender exploration of urban loneliness, emphasising the universal need for connection. Featuring stellar cinematography from Ping Bin Lee, as well as a stirring score, it has a lot to offer. Bae Doona delivers a powerful performance, while her co-stars are equally compelling. To cut a long story short, 'Air Doll' is so good it may just blow your mind.
Selecciones populares
- How long is Air Doll?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 1.208.769 US$
- Duración2 horas 5 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1