Un sastre experimentado debe burlar a un peligroso grupo de mafiosos para sobrevivir a una noche fatídica.Un sastre experimentado debe burlar a un peligroso grupo de mafiosos para sobrevivir a una noche fatídica.Un sastre experimentado debe burlar a un peligroso grupo de mafiosos para sobrevivir a una noche fatídica.
- Premios
- 1 premio y 6 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesMark Rylance was trained in tailoring techniques by the famous Huntsman tailors on Savile Row, previously seen in the Kingsman series. You can catch a glimpse of their iconic house tweed momentarily in the film.
- PifiasDespite an abdominal gunshot wound and an exit wound out his back, there are no bullet holes or blood on Richie's jacket or overcoat.
- Créditos adicionalesIn the closing credits, as each line fades, a single letter O (if present) lingers a little longer.
- ConexionesFeatured in WatchMojo: Top 10 Best Movies of 2022 (So Far) (2022)
Reseña destacada
"Anyone can be tailor." Leonard (Mark Rylance)
Although sometimes I can't tell if I love film more than theater, with The Outfit I found a film that satisfies both affections. Writer-director Grahame Moore brings a Hitchcock frame of mind with one dominant location, an atelier holding no more than four or five characters, just like a theater stage, and a sense of foreboding coming from history and the characters themselves, just like the modern psychological thrillers do.
Just watch out for those scissors-Hitch would love the touch.
Underneath the simple set is a rumbling of sin as the meek tailor, Leonard, contends with three mobs threatening him and his secretary, Mable (Zoey Deutch). He is required to stitch around those who want to kill each other and destroy his business, with different crooks coming in the front door intent on finding a tape that allegedly would send them to jail.
The joy of this neo-noir thriller is the suspense that Hitchcock virtually patented because his non-mob characters are seemingly innocent types, and his sinners not quite in control of their ambitions. What Hitch and other thriller directors like Moore want is to show the vulnerability of the common citizen and the weaknesses of the seasoned mobsters.
Although it's up to Leonard, small haberdashery owner in Chicago, to protect his shop, he also, in a narcotic-like voice over, explains the allegorical implications of his cutting and sewing. For instance, he is not a tailor but rather a cutter. The former artless, the latter a professional trained for years on London's iconic Saville Row.
No recent film has surpassed The Outfit's ability to reveal the wickedness of humanity and its adaptability while supplying a dose of old-time noir. Delight in the spare set, the super acting, and the innumerable closeups that do as much to reveal character as the uncomplicated, Pinter-like dialogue.
Although this tidy feature, similar to Leonard in its meticulous revelation of character and motive, seems suited to streaming, it is a euphoric experience on the big screen as the spare audiences can be enveloped by the powerful characters and story, in a setting that puts all in a dynamic room with mystery aplenty.
Although sometimes I can't tell if I love film more than theater, with The Outfit I found a film that satisfies both affections. Writer-director Grahame Moore brings a Hitchcock frame of mind with one dominant location, an atelier holding no more than four or five characters, just like a theater stage, and a sense of foreboding coming from history and the characters themselves, just like the modern psychological thrillers do.
Just watch out for those scissors-Hitch would love the touch.
Underneath the simple set is a rumbling of sin as the meek tailor, Leonard, contends with three mobs threatening him and his secretary, Mable (Zoey Deutch). He is required to stitch around those who want to kill each other and destroy his business, with different crooks coming in the front door intent on finding a tape that allegedly would send them to jail.
The joy of this neo-noir thriller is the suspense that Hitchcock virtually patented because his non-mob characters are seemingly innocent types, and his sinners not quite in control of their ambitions. What Hitch and other thriller directors like Moore want is to show the vulnerability of the common citizen and the weaknesses of the seasoned mobsters.
Although it's up to Leonard, small haberdashery owner in Chicago, to protect his shop, he also, in a narcotic-like voice over, explains the allegorical implications of his cutting and sewing. For instance, he is not a tailor but rather a cutter. The former artless, the latter a professional trained for years on London's iconic Saville Row.
No recent film has surpassed The Outfit's ability to reveal the wickedness of humanity and its adaptability while supplying a dose of old-time noir. Delight in the spare set, the super acting, and the innumerable closeups that do as much to reveal character as the uncomplicated, Pinter-like dialogue.
Although this tidy feature, similar to Leonard in its meticulous revelation of character and motive, seems suited to streaming, it is a euphoric experience on the big screen as the spare audiences can be enveloped by the powerful characters and story, in a setting that puts all in a dynamic room with mystery aplenty.
- JohnDeSando
- 17 mar 2022
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- How long is The Outfit?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- The Outfit
- Localizaciones del rodaje
- London, Greater London, Inglaterra, Reino Unido(on location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 3.344.040 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 1.499.730 US$
- 20 mar 2022
- Recaudación en todo el mundo
- 4.032.313 US$
- Duración1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1
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