Mientras buscan miel, Pooh y sus amigos se embarcan en una aventura para encontrar la cola perdida de Igor y rescatar a Christopher Robin de un monstruo desconocido.Mientras buscan miel, Pooh y sus amigos se embarcan en una aventura para encontrar la cola perdida de Igor y rescatar a Christopher Robin de un monstruo desconocido.Mientras buscan miel, Pooh y sus amigos se embarcan en una aventura para encontrar la cola perdida de Igor y rescatar a Christopher Robin de un monstruo desconocido.
- Premios
- 2 premios y 25 nominaciones en total
- Owl
- (voz)
- Narrator
- (voz)
- Eeyore
- (voz)
- Piglet
- (voz)
- Roo
- (voz)
- Backson
- (voz)
Argumento
¿Sabías que...?
- CuriosidadesWhile Disney has made many Winnie the Pooh movies, this is only their second to be produced by Walt Disney Animation Studios. All of their other Winnie the Pooh movies, both those released direct to video/DVD and those released theatrically, were produced by DisneyToon Studios and thus are not considered to be official sequels.
- Citas
Piglet: [Pooh, Rabbit, Owl, Eeyore, Kanga and Roo are trapped in a hole and Piglet gets a rope - only to cut it up into six pieces] And six! There! Now we can ALL get out!
Pooh: How very thoughtful you are, Piglet.
Rabbit: [loses patience] Good grief! Tie them together, Piglet! Can you tie a knot?
Piglet: I cannot.
Rabbit: Ah, so you CAN knot.
Piglet: No. I cannot knot.
Rabbit: [in disbelief] Not knot?
Pooh: Who's there?
Rabbit: Pooh!
Pooh: Pooh who?
Rabbit: No! Pooh... eh... Piglet, you'll need more than two knots.
Piglet: Not possible.
Owl: Ah, so it IS possible to knot those pieces.
Piglet: Not these pieces!
Pooh: Yes. Knot those pieces.
Piglet: Why not?
Eeyore: 'Cause it's all for naught.
- Créditos adicionalesNo stuffed animals were harmed in the making of this film.
- ConexionesFeatured in The Tonight Show with Jay Leno: Episodio #19.172 (2011)
- Banda sonoraThe Tummy Song
Written by Kristen Anderson-Lopez and Robert Lopez
Performed by Jim Cummings and Robert Lopez
I am beyond grateful that this didn't support the 3D epidemic sweeping our nation these past years. Winnie the Pooh is made up of hand-drawn animation that gives itself a water-color sort of look. It's truly a throwback, and is a nice break from all the CGI animation that, while nice to look at, can't match the feel of classic animation. I couldn't imagine Winnie the Pooh in CGI anyway.
Before the movie, we get a short called The Ballad of Nessie, a kind and gentle Loch Ness Monster who lives with her rubber-ducky. Her pond gets taken over by a golf company and she is forced to move out and find a way home. The short is sad, and well crafted simultaneously. Combined with gentle narration.
On with the film, the story starts out as Pooh (Cummings) trying to find some "hunny." Then, much to the surprise of everyone, Eeyore's (Luckey) tale has gone missing. Christopher Robin (Boulter) holds a contest with all his friends to find a new tale for Eeyore. Whoever finds a good enough tale will win a jar of honey.
The next day, the gang still tries to find the tale when they find a note from Christopher Robin saying "Gon out back soon C.R." Owl (Ferguson) convinces the gang that the "back soon" means "The Backson," a vicious monster who does so many unexplainable things which they make up on their own. So now it's up to everyone to go into the woods and find The Backson and get their friend back.
There is a lot of singing in the film. Lots of well composed songs are in here, my favorite being "The Backson Song." I wasn't under the impression this was a musical, but the more I thought about it the more it made sense. The target audience for this is most likely between 4-8. So to put in a lot of soft and melodic songs in it was a good idea.
Winnie the Pooh is perhaps the most gentle film I can remember. Even the "scariest" scenes won't freak out the little ones, and everything is so calm, so tender, and so unobtrusive it's wonderful. Growing up with Winnie the Pooh, this film was everything I wanted it to be. I wanted it to be nostalgic, warm, and inspiring.
During moments of this film, my eyes watered. I can't answer if someone asked me "Why?" I think it was because the film was so joyful and very sweet. Plus, these are characters that I've known since my childhood. I was grateful they didn't play the song "Somewhere Only We Know" from the trailer. I would've broke down in front of everyone.
The voice acting is beautiful. The film doesn't market its actors either. There is no grade-A "Brad Pitt," "Ellen DeGeneres," "Johnny Depp" marketing scheme here. The actors who voice the characters were chosen because they were fit to voice whoever they were able to. They weren't picked because their names look good on a poster.
This is probably the best Disney film in years. It goes back to everything that made Disney so great when they started off. Hand-drawn animation, a lovely story line, and a positive feel. Even at an incredibly short sixty-nine minutes, (minus, maybe, five from the beginning short) Winnie the Pooh is lovely, crafty, and limitless.
Voiced by: Jim Cummings, Tom Kenny, Craig Ferguson, Travis Oates, Bud Luckey, and Jack Boulter. Narrated by: John Cleese. Directed by: Stephen Anderson and Don Hall.
- StevePulaski
- 15 jul 2011
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Winnie the Pooh and the Day in Which Many Things Happened
- Localizaciones del rodaje
- Walt Disney Studios, 500 South Buena Vista Street, Burbank, California, Estados Unidos(Christopher Robin's room)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 26.692.846 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 7.857.076 US$
- 17 jul 2011
- Recaudación en todo el mundo
- 49.871.429 US$
- Duración1 hora 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1