PUNTUACIÓN EN IMDb
6,9/10
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TU PUNTUACIÓN
Colin Clark, empleado de Sir Laurence Olivier, documenta la intensa relación entre Olivier y Marilyn Monroe durante la producción de "El Príncipe y la Corista" en 1957.Colin Clark, empleado de Sir Laurence Olivier, documenta la intensa relación entre Olivier y Marilyn Monroe durante la producción de "El Príncipe y la Corista" en 1957.Colin Clark, empleado de Sir Laurence Olivier, documenta la intensa relación entre Olivier y Marilyn Monroe durante la producción de "El Príncipe y la Corista" en 1957.
- Nominado para 2 premios Óscar
- 18 premios y 64 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesAccording to executive producer and director Simon Curtis on his DVD commentary, Dame Judi Dench was unavailable for the principal photography period, and her parts had to be filmed about two weeks before the rest of the production. Throughout the movie, Dench and Michelle Williams are never seen in the same shot, including one in which Dench shakes hands with (seemingly) Williams' hand being extended from off-screen. Adam Recht's deft editing gives the illusion that Williams and Dench were being filmed at the same time.
- PifiasA frustrated Olivier tells Colin that he should have cast Vivien to play Elsie instead of Marilyn. Marilyn bought the rights to "The Sleeping Prince" from its author Terence Rattigan, and hired Olivier, who agreed to co-produce the film, to direct; she could not be replaced.
- Citas
Marilyn Monroe: Little girls should be told how pretty they are. They should grow up knowing how much their mother loves them.
- ConexionesFeatured in Maltin on Movies: The Muppets (2011)
- Banda sonoraWhen Love Goes Wrong (Nothin' Goes Right)
Written by Harold Adamson and Hoagy Carmichael
Performed by Michelle Williams
Published by EMI First Catalog Inc., Peer Music (UK) Ltd (c/o Songs of Peer Ltd)
Courtesy of The Weinstein Company
Arranged and Produced by David Krane
Reseña destacada
I attended an advance screening of "My Week With Marilyn," and much to my surprise, was absolutely blown away. I was initially very reluctant to accept Michelle Williams as Marilyn, one of the most beautiful and glamorous women of all time, but she was extraordinary - luminous, even. She pulled off the role seamlessly, and turned Ms. Monroe into a layered, complex character, rather than the sex-kitten caricature we are all so used to seeing. Michelle managed to show us the real Marilyn - the woman who so desperately wanted to be loved, to be accepted, to be good at her job. The vulnerability, the mannerisms, the voice - all were pitch perfect. I have no doubt there will be yet another Oscar nomination in Michelle Williams' near-future.
I was also very impressed by Eddie Redmayne, who's character was arguably the heart of the film. He was excellent as the star-struck yet sensitive Colin Clark, who helped Marilyn through her very difficult time on the set of "The Prince and the Showgirl." This was definitely a star-making turn for Eddie - I expect we'll be seeing much more of him.
The movie is similar in tone to "The King's Speech," and was helped by a beautiful score and wonderful costumes. Director Simon Curtis, who devoted eight years of his life to this project, did a wonderful job capturing the essence of 1950's England. The wardrobe department deserves a nomination, as do the writers. Kenneth Branagh was superb as Laurence Olivier, as was the great Judi Dench as Dame Sybil.
All in all, one of the best films I've seen this year, and definitely the best (not to mention most authentic) portrayal of Marilyn ever to hit the silver screen. I couldn't have been more impressed.
I was also very impressed by Eddie Redmayne, who's character was arguably the heart of the film. He was excellent as the star-struck yet sensitive Colin Clark, who helped Marilyn through her very difficult time on the set of "The Prince and the Showgirl." This was definitely a star-making turn for Eddie - I expect we'll be seeing much more of him.
The movie is similar in tone to "The King's Speech," and was helped by a beautiful score and wonderful costumes. Director Simon Curtis, who devoted eight years of his life to this project, did a wonderful job capturing the essence of 1950's England. The wardrobe department deserves a nomination, as do the writers. Kenneth Branagh was superb as Laurence Olivier, as was the great Judi Dench as Dame Sybil.
All in all, one of the best films I've seen this year, and definitely the best (not to mention most authentic) portrayal of Marilyn ever to hit the silver screen. I couldn't have been more impressed.
- briannaweitzman
- 10 oct 2011
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- La meva setmana amb Marilyn
- Localizaciones del rodaje
- Hatfield House, Melon Ground, Hatfield Park, Hatfield, Hertfordshire, Inglaterra, Reino Unido(Windsor Castle - interiors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.400.000 GBP (estimación)
- Recaudación en Estados Unidos y Canadá
- 14.600.347 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 1.750.507 US$
- 27 nov 2011
- Recaudación en todo el mundo
- 35.057.696 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principal laguna de datos
By what name was Mi semana con Marilyn (2011) officially released in India in English?
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