Werner Herzog obtiene acceso exclusivo para filmar en el interior de las cuevas de Chauvet y captura las creaciones pictóricas más antiguas que se conocen de la humanidad.Werner Herzog obtiene acceso exclusivo para filmar en el interior de las cuevas de Chauvet y captura las creaciones pictóricas más antiguas que se conocen de la humanidad.Werner Herzog obtiene acceso exclusivo para filmar en el interior de las cuevas de Chauvet y captura las creaciones pictóricas más antiguas que se conocen de la humanidad.
- Premios
- 12 premios y 21 nominaciones en total
- Interpreter
- (voz)
- (sin acreditar)
- Narrator (French version)
- (voz)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesAccording to cinematographer Peter Zeitlinger in his talk at the Berlinale Talents 2015, the first 20 minutes of the film are shot with two GoPro Hero cameras taped side-to-side (one upside down), because at the time of shooting no 3D-system small enough for the cave shoot was available. The rest of the film was shot on professional, higher-quality 2k 3D-cameras with follow-focus, when they later became available.
- Citas
Werner Herzog: In a forbidden recess of the cave, there's a footprint of an eight-year-old boy next to the footprint of a wolf. Did a hungry wolf stalk the boy? Or did they walk together as friends? Or were their tracks made thousands of years apart? We'll never know.
- ConexionesFeatured in Ebert Presents: At the Movies: Episodio #1.15 (2011)
- Banda sonoraRockshelter
With special permission from the culture ministry and only a few hours per day, Herzog takes a non-professional 3-D camera and a few scientists and crew into the cave, which was sealed by a landslide some 20, 000 years ago and therefore in pristine shape. So careful are the French that they plan to construct a theme park with exact reproduction of the Cave in order to satisfy the public's natural interest in seeing the drawings but yet keep them from spoiling the treasures with their breaths.
3-D aids appreciation of the curvatures of the caves and the rich dimensions of the drawings, about 400 of them, and the cave-bear fossils and scratches. Ernst Reijseger's understated orchestration complements the lyrical and mysterious world that Herzog's voice cradles.
Because no one is allowed to walk outside the small walkway and few humans will ever enter, an eerie Egyptian tomb-like atmosphere pervades, captured by Herzog's pensive, wistful ruminations about mankind. For the director of such eccentric films as Aguirre: The Wrath of God and Fitzcarraldo, both about mysteriously powerful humans, and similarly the documentary Grizzly, about an odd bear lover, this film is evidence of the filmmaker's wide-ranging zest for the inscrutable spiritual roots of secular achievement and madness.
Of course, there's the romantic take by the French scientists and narrator Herzog, who all describe hearing the voices of these ancient homo-sapien artists echo in the chambers. Herzog's inscrutable post script, perfectly in character with this out-there director involves nuclear reactors, warm water, and thriving alligators. When you figure out his meaning of the doppelganging albino alligators, write me with your answer, for I'm still trying to figure it out.
Meanwhile, Cave of Forgotten Dreams is a superior documentary with the right combination of visual clarity and authorial insight to make everlastingly memorable the forgotten dreams of our ancestors and ourselves.
- JohnDeSando
- 11 may 2011
- Enlace permanente
Selecciones populares
- How long is Cave of Forgotten Dreams?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Cave of Forgotten Dreams
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 5.304.920 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 139.101 US$
- 1 may 2011
- Recaudación en todo el mundo
- 8.183.347 US$
- Duración1 hora 30 minutos
- Color
- Mezcla de sonido