PUNTUACIÓN EN IMDb
6,9/10
12 mil
TU PUNTUACIÓN
En París, un gato que vive una vida secreta como ayudante de ladrón de gatos debe rescatar a Zoe, la niña con la que vive, después de que ella cae en las garras de un gángster.En París, un gato que vive una vida secreta como ayudante de ladrón de gatos debe rescatar a Zoe, la niña con la que vive, después de que ella cae en las garras de un gángster.En París, un gato que vive una vida secreta como ayudante de ladrón de gatos debe rescatar a Zoe, la niña con la que vive, después de que ella cae en las garras de un gángster.
- Nominado para 1 premio Óscar
- 1 premio y 6 nominaciones en total
Bruno Salomone
- Nico
- (voz)
Oriane Zani
- Zoé
- (voz)
Yves Barbaut
- Garde 1
- (voz)
- …
JB Blanc
- Victor Costa
- (English version)
- (voz)
Steve Blum
- Nico
- (English version)
- (voz)
Marcia Gay Harden
- Jeanne
- (English version)
- (voz)
Anjelica Huston
- Claudine
- (English version)
- (voz)
Matthew Modine
- Lucas
- (English version)
- (voz)
Lauren Weintraub
- Zoe
- (English version)
- (voz)
Argumento
¿Sabías que...?
- CuriosidadesThis film was one of a number of movies that were in competition at the 2012 Academy Awards that was related to France and French culture in some way. The films included The Artist (2011), La invención de Hugo (2011), Midnight in Paris (2011), Las aventuras de Tintín: El secreto del unicornio (2011), El gato con botas (2011) from the French fairy-tale by Charles Perrault, El origen del planeta de los simios (2011) based on the novel by Pierre Boulle and Un gato en París (2010). Interestingly though, there was no French film nominated for the Best Foreign Film Academy Award (Oscar) in 2012.
- PifiasIn the winter scene at the end, Rufus's ears are seen passing through the accumulated snow, but nothing else. If a dog walked through snow in such a manner, its entire body would be visible.
- Créditos adicionalesThe end credits play over an animation of characters, action and backgrounds seen during the film proper. The major difference between this animation and the film is that this animation is black silhouettes on a blue background.
- Versiones alternativasThere are three versions. These are the times: "1 hr 10 min (70 min) 1 hr 15 min (75 min) (DVD) 1 hr 2 min (62 min) (DVD) (Spain)".
- ConexionesFeatured in The 84th Annual Academy Awards (2012)
- Banda sonoraI Wished On The Moon (78 RPM Version)
Written by Dorothy Parker (as D. Parker) and Ralph Rainger (as R. Rainger)
Performed by Billie Holiday
(P) Originally Reciorded 1935 Sony Music Entertainment Inc.
Courtesy of Sony Music Entertainment France
Reseña destacada
I thoroughly enjoyed this film: in one sense it's an animated spoof of a classic thriller genre, in another it's a charming entertainment -- and it contains a very well observed cat! Like the B-movies to which it nods, it packs a vast amount of action into its 65-minute running time, leavening action with humour (the splatted dog is a classic cartoon gag -- but it's a tribute to the emotional realism of the film that later on the audience was actually worried that it had come to serious harm) and parody with genuine feeling: the gangsters discussing food are a homage to Quentin Tarantino, but the bereaved Jeanne's battles with the cartoon-Costa of her imagination put a quiver in my stiff upper lip. And the clambering up and down the face of Notre-Dame is a pure paean to Paris... and to the Hunchback!
There are two apparently separate stories going at the start: the little girl with a workaholic single mother, plus the night-time adventures of her cat. But neither of them is quite what it seems -- the neglectful mother in particular is a much more sympathetic character than we initially assume -- and both strands rapidly intertwine with a gangster thriller plot. This may be an animated adventure, but it has more than enough depth for adults as well as children: in fact, I suspect the tension may be a little too much for small children. One little boy in the row in front of me had to be carried out howling that he wanted to go home.
The style of animation is -- deliberately -- extremely crude: characters are drawn in the simplest of outlines, although I noticed that the cat movement and postures, for all the crudity of the shapes, were extremely well done. (Take the scene, for example, when the cat is sprawled in Nico's room -- or when it disdainfully opens just one slit of an eye as Claudine rages at it!) And almost all the action takes place at night or by artificial lighting, heightening the child's storybook appearance of the art. This is clearly a consciously retro aesthetic: I was amused to note that the brand of paper used in making all the drawings got its own entry in the credit listing at the end of the film.
What really grated on me, for some reason, was the depiction of the feet (I had the same problem with DreamWorks' Sinbad animation). The characters in this film have incredibly tiny triangular feet which seem always to be drawn from the same angle no matter which way the rest of the body is pointing, and I found it visually disturbing to have the perspective so obviously all wrong...
A bonus feature was the fluent idiomatic English translation in the subtitles, at least in the London Film Festival version: it makes a welcome change from translations obviously aimed at the American market. (And it's always fun to back-translate the insults: within the limits of my vocabulary of French vituperation, some pretty apt equivalents seemed to have been chosen!)
I'm tempted to rate this at 9 out of ten, but I don't think it has quite enough depth for that level: I'll compromise and knock a point off for the annoyance of the feet, leaving it at a very solid 8.
There are two apparently separate stories going at the start: the little girl with a workaholic single mother, plus the night-time adventures of her cat. But neither of them is quite what it seems -- the neglectful mother in particular is a much more sympathetic character than we initially assume -- and both strands rapidly intertwine with a gangster thriller plot. This may be an animated adventure, but it has more than enough depth for adults as well as children: in fact, I suspect the tension may be a little too much for small children. One little boy in the row in front of me had to be carried out howling that he wanted to go home.
The style of animation is -- deliberately -- extremely crude: characters are drawn in the simplest of outlines, although I noticed that the cat movement and postures, for all the crudity of the shapes, were extremely well done. (Take the scene, for example, when the cat is sprawled in Nico's room -- or when it disdainfully opens just one slit of an eye as Claudine rages at it!) And almost all the action takes place at night or by artificial lighting, heightening the child's storybook appearance of the art. This is clearly a consciously retro aesthetic: I was amused to note that the brand of paper used in making all the drawings got its own entry in the credit listing at the end of the film.
What really grated on me, for some reason, was the depiction of the feet (I had the same problem with DreamWorks' Sinbad animation). The characters in this film have incredibly tiny triangular feet which seem always to be drawn from the same angle no matter which way the rest of the body is pointing, and I found it visually disturbing to have the perspective so obviously all wrong...
A bonus feature was the fluent idiomatic English translation in the subtitles, at least in the London Film Festival version: it makes a welcome change from translations obviously aimed at the American market. (And it's always fun to back-translate the insults: within the limits of my vocabulary of French vituperation, some pretty apt equivalents seemed to have been chosen!)
I'm tempted to rate this at 9 out of ten, but I don't think it has quite enough depth for that level: I'll compromise and knock a point off for the annoyance of the feet, leaving it at a very solid 8.
- Igenlode Wordsmith
- 15 oct 2011
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Un gat a París
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 309.973 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 34.554 US$
- 3 jun 2012
- Recaudación en todo el mundo
- 2.082.071 US$
- Duración1 hora 10 minutos
- Color
- Mezcla de sonido
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Principal laguna de datos
By what name was Un gato en París (2010) officially released in India in English?
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