Un thriller dramático basado en hechos reales que revela la búsqueda por exponer engaños y corrupciones del poder que convirtieron a una compañía principiante de Internet en la organización ... Leer todoUn thriller dramático basado en hechos reales que revela la búsqueda por exponer engaños y corrupciones del poder que convirtieron a una compañía principiante de Internet en la organización más ferozmente debatida del siglo XXI.Un thriller dramático basado en hechos reales que revela la búsqueda por exponer engaños y corrupciones del poder que convirtieron a una compañía principiante de Internet en la organización más ferozmente debatida del siglo XXI.
- Premios
- 2 premios y 3 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesJulian Assange emailed Benedict Cumberbatch to ask him to not to participate in the film.
- PifiasAfter Julian and Daniel fight and finally split up there is a shot of the streets outside Daniel's apartment by night. Two cars drive past backwards, revealing the film has been played in reverse.
- Citas
Julian Assange: If you want the truth, no one is going to tell you the truth, they're going to tell you their version. So if you want the truth, you have to seek it out for yourself. In fact that's where power lies, in your willingness to look beyond this story, any story. And as long as you keep searching, you are dangerous to them. That's what they're afraid of: you. It's all about you. And a little bit about me too.
- ConexionesFeatured in The Agenda with Tom Bradby: Episodio #4.1 (2013)
- Banda sonoraStompbox (Spor Remix)
Written by Liam Black, Leon Harris and Daniel Arnold
Performed by The Qemists
Courtesy of Ninja Tune
The film was not bad. It was sort of an attempt to make a Facebook style film about Wikileaks and although it nowhere measured up to the quality of "Social Network." Its attempt was commendable and all-in-all, it was not a waste of the 18 Euros we spent to see it.
However, what really bothered me throughout the entire film was Cumberbatch's portrayal of Assange. I could see he was trying very hard to mimic Assange to the best of his ability, but I either don't think he had it in him or he was purposely playing Assange a lot crazier than he appears in real life. I have seen lots of interviews with Assange, who in my mind, comes across a bit like a mixture between a politician and professor. Cumberbatch, on the other hand, came across as a sort of eccentric nut.
The next thing that bothered me is where the film decided to stop. Basically, it skimmed over the current scandals, making Assange sound like more of nut than Cumberbatch's portrayal. The last five minutes especially sunk into me the feeling that the film unfairly portrayed Assange.
And my suspicions were confirmed. I asked my wife what her opinion of Assange was as a good or bad guy, and she seemed to indicate she was leaning towards bad. The last few minutes of the film, basically sunk that message in loud and clear.
My conclusion is, that, this film is a good example of the new way of being critical. Pretend to be fair and at the last minute, throw up a bunch of negative facts.
I believe that combining the positive portrayal of the U.S. state department with the crazy portrayal of Assange, was neither fair nor accurate. History will probably judge this film as just another propaganda piece of the corrupt powers that be.
If I were to write this film, I think it would have been much more interesting to concentrate on the incidents of human rights abuses rather than on the Assange himself. It would have also had the positive effect of encouraging, rather than discouraging whistle-blowers. This film does not seem to inspire anything.
Assange was right about the film.
- muthink
- 7 nov 2013
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- El cinquè poder
- Localizaciones del rodaje
- Domaine provincial d'Hélécine, 2 rue Armand Dewolf, Hélécine, Walloon Brabant, Bélgica(White House interior scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 28.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 3.255.008 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 1.673.351 US$
- 20 oct 2013
- Recaudación en todo el mundo
- 9.058.564 US$
- Duración2 horas 8 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1