PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Un análisis sin prejuicios sobre las fuerzas motrices del comportamiento humano ante lo desconocido, sobre la forma en que percibimos al otro y sobre cómo nos relacionamos con un futuro inqu... Leer todoUn análisis sin prejuicios sobre las fuerzas motrices del comportamiento humano ante lo desconocido, sobre la forma en que percibimos al otro y sobre cómo nos relacionamos con un futuro inquietante.Un análisis sin prejuicios sobre las fuerzas motrices del comportamiento humano ante lo desconocido, sobre la forma en que percibimos al otro y sobre cómo nos relacionamos con un futuro inquietante.
- Premios
- 7 premios y 18 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe town hall meeting scene (starting at about 1 hour 28) is a single unbroken take lasting nearly 15 minutes.
- Banda sonoraYumenji's Theme
Composed by Shigeru Umebayashi for Deseando amar (2000)
Reseña destacada
RMN is the Romanian translation of "MRI" - the medical machine which takes deep images of the human body including the brain. In a way, renowned Director Cristian Mungiu (4 MONTHS, GRADUATION) is examining the inner souls of his fellow countryman. An X-Ray if you will.
Mungiu's screenplay is set in a small Transylvanian village. Mattias (Marin Grigore), a brute of a man, has returned from a job for hire in Germany to reunite with his estranged wife Ana (Macrina Barladeanu) and young son Rudi (Mark E. Blenyesi) who claims to have seen something so horrible that he can barely speak. Csilla (Judith Slate) manages a local bakery and is also Mattias' old flame. There are obvious tensions, but the town is seemingly idyllic with its snow-capped mountains, abundant livestock and quiet lifestyles.
The outward peace begins to crack when Csilla's bakery is forced to hire three migrants from Sri Lanka to keep operating. The locals have balked at working for minimum wage, but, before long they aim their ire at the black workers who they equate with invading gypsies. Soon the entire populace is riled by their presence, this despite the village's own checkered history with immigration, not to mention so many of they themselves going overseas for work - doubly so now that Romania has joined the E. U..
Mungiu's intentions are clear, but, he doesn't take a direct route. His concerns are more with exploring the inner psychological forces of the villagers' behavior more than their direct actions. The key sequence is a fifteen minute long single take which places Mattias and Csilla as the focus of the frame, while the townspeople rail on airing predictable grievances.
Mungiu's method includes a pair of visual metaphors and a premonition of sorts. The script doesn't all work and the strain of drawing it all together as a whole shows at times. Still, R. M. N. Is a reminder of how universal prejudice and the various incarnations of injustice can be. The acting by Slate and Grigore in particular is quite strong and Mungiu's rigorous intelligence make a definite impact. There are a pair of arresting images towards the end that are hauntingly effective.
Mungiu's screenplay is set in a small Transylvanian village. Mattias (Marin Grigore), a brute of a man, has returned from a job for hire in Germany to reunite with his estranged wife Ana (Macrina Barladeanu) and young son Rudi (Mark E. Blenyesi) who claims to have seen something so horrible that he can barely speak. Csilla (Judith Slate) manages a local bakery and is also Mattias' old flame. There are obvious tensions, but the town is seemingly idyllic with its snow-capped mountains, abundant livestock and quiet lifestyles.
The outward peace begins to crack when Csilla's bakery is forced to hire three migrants from Sri Lanka to keep operating. The locals have balked at working for minimum wage, but, before long they aim their ire at the black workers who they equate with invading gypsies. Soon the entire populace is riled by their presence, this despite the village's own checkered history with immigration, not to mention so many of they themselves going overseas for work - doubly so now that Romania has joined the E. U..
Mungiu's intentions are clear, but, he doesn't take a direct route. His concerns are more with exploring the inner psychological forces of the villagers' behavior more than their direct actions. The key sequence is a fifteen minute long single take which places Mattias and Csilla as the focus of the frame, while the townspeople rail on airing predictable grievances.
Mungiu's method includes a pair of visual metaphors and a premonition of sorts. The script doesn't all work and the strain of drawing it all together as a whole shows at times. Still, R. M. N. Is a reminder of how universal prejudice and the various incarnations of injustice can be. The acting by Slate and Grigore in particular is quite strong and Mungiu's rigorous intelligence make a definite impact. There are a pair of arresting images towards the end that are hauntingly effective.
- gortx
- 12 jun 2023
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 46.360 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6121 US$
- 30 abr 2023
- Recaudación en todo el mundo
- 738.520 US$
- Duración2 horas 5 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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What is the Canadian French language plot outline for R.M.N. (2022)?
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