PUNTUACIÓN EN IMDb
6,2/10
34 mil
TU PUNTUACIÓN
Un timador, su mujer, y un desconocido dejan Atenas cuando uno de ellos se ve incriminado en la muerte de un detective privado.Un timador, su mujer, y un desconocido dejan Atenas cuando uno de ellos se ve incriminado en la muerte de un detective privado.Un timador, su mujer, y un desconocido dejan Atenas cuando uno de ellos se ve incriminado en la muerte de un detective privado.
- Premios
- 3 nominaciones en total
Babis Hatzidakis
- Stall Keeper
- (as Babis Chatzidakis)
Stella Fyrogeni
- Barmaid
- (as Stela Fyrogeni)
Argumento
¿Sabías que...?
- CuriosidadesViggo Mortensen on his character's wardrobe: "I particularly liked the white linen suit that you see in the poster that Chester wears, and in a way that's another character in the movie because the journey of that beautiful cream-colored linen suit, on the Acropolis in the sunshine in the beginning, this immaculate, perfect, fits perfectly, looks great. You see that suit at the very end of the story, and that suit's been through it, it's a bit torn, it's frayed, it's not as clean as it was, it's suffered almost as much as the man wearing the suit."
- PifiasIn the beginning Rydal recounts the legend of Aegeus on the steps of the Acropolis and says that it was there that Aegeus jumped to his death after his son, Theseus returned from Crete and forgot to change the black sails to white to denote his success. This is untrue; you would not be able to see the Aegean from the Acropolis, anyway. According to the legend Aegeus was waiting for the ships to arrive at Cape Sounion and when he saw the black sails he plunged into the sea (which is called the Aegean Sea after him). It is unlikely that a tour guide would not know how to recount the legend properly.
- Citas
Chester MacFarland: I'm sorry I disappointed you.
- Créditos adicionalesAfter the production company logos, there are no opening credits.
- ConexionesFeatured in Film '72: Episodio fechado 5 marzo 2014 (2014)
Reseña destacada
Film opens at the Parthenon in Athens. A young male guide, played by Oscar Isaac, is guiding some impressionable girls. An older couple enter the scene. The male, played by Viggo Mortensen, is mature. His younger wife, played by Kirsten Dunst, looks like Doris Day. Thus we seem catapulted into the Hitchcock era. Film is in fact set in 1962, and all scenes seem authentic.
A central theme of far too many Hitchcock films to list, is that of an innocent man caught up in events over which he has no control. In this film, however, we quickly find that Mr Mortensen's character is no innocent. He is, however, quickly thrust into events that are out of his control.
Within the central trio of characters, it is unclear what are their individual motives, or, who is trying to con who. The sexual chemistry and tensions remind of 'Knife in the Water' (1962).
Film is a true Hitchcockian-style suspense movie rather than a thriller. As the tension rises so does the music, which also is pure Hitchcockian, and could easily have been lifted in great chunks from one or more of his movies.
As the tension rises, so too does the pace. From the start, the film moves at a decent pace, but this builds as the film progresses, and the pace gets faster and faster. Great camera shots, great chases, and iconic scenes, also suggest homage to 'The Third Man (1949).
All location shooting was superb. This reviewer, once attempting to follow in the footsteps of Plato, got lost in the mountains, and had to be rescued by shepherds. So it was with a fond familiarity that I saw those same mountains.
One explanation for the Hitchcockian-feel to the movie can be explained by the fact that the film is based on a novel by Patricia Highsmith. Alfred Hitchcock's classic 1951 film 'Strangers on a Train' was also based on a novel by Miss Highsmith. Thus perhaps it may be more accurate to describe the feel and touch of the movie as Highsmithian rather than Hitchcockian. Miss Highsmith is also the origin of the 'Ripley' stories.
This flawless and faultless masterpiece of a film, is the first full-length film directed by Hossein Amini. He also wrote the screenplay.
This film will appeal to all, though the 12A certificate means that it is unsuitable for young children. Suitable for all others, it is very suitable, and it will be very much appreciated, by classicists and Hitchcock fans.
A masterpiece! 10/10!
A central theme of far too many Hitchcock films to list, is that of an innocent man caught up in events over which he has no control. In this film, however, we quickly find that Mr Mortensen's character is no innocent. He is, however, quickly thrust into events that are out of his control.
Within the central trio of characters, it is unclear what are their individual motives, or, who is trying to con who. The sexual chemistry and tensions remind of 'Knife in the Water' (1962).
Film is a true Hitchcockian-style suspense movie rather than a thriller. As the tension rises so does the music, which also is pure Hitchcockian, and could easily have been lifted in great chunks from one or more of his movies.
As the tension rises, so too does the pace. From the start, the film moves at a decent pace, but this builds as the film progresses, and the pace gets faster and faster. Great camera shots, great chases, and iconic scenes, also suggest homage to 'The Third Man (1949).
All location shooting was superb. This reviewer, once attempting to follow in the footsteps of Plato, got lost in the mountains, and had to be rescued by shepherds. So it was with a fond familiarity that I saw those same mountains.
One explanation for the Hitchcockian-feel to the movie can be explained by the fact that the film is based on a novel by Patricia Highsmith. Alfred Hitchcock's classic 1951 film 'Strangers on a Train' was also based on a novel by Miss Highsmith. Thus perhaps it may be more accurate to describe the feel and touch of the movie as Highsmithian rather than Hitchcockian. Miss Highsmith is also the origin of the 'Ripley' stories.
This flawless and faultless masterpiece of a film, is the first full-length film directed by Hossein Amini. He also wrote the screenplay.
This film will appeal to all, though the 12A certificate means that it is unsuitable for young children. Suitable for all others, it is very suitable, and it will be very much appreciated, by classicists and Hitchcock fans.
A masterpiece! 10/10!
- guchrisc
- 31 may 2014
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- The Two Faces of January
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 31.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 507.463 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 43.116 US$
- 28 sept 2014
- Recaudación en todo el mundo
- 13.551.951 US$
- Duración1 hora 36 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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