PUNTUACIÓN EN IMDb
5,4/10
14 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaConrad (Jason Bateman) is helped by his old friend Dylan (Billy Crudup) and returns the favor by falling for Dylan's girlfriend Beatrice (Olivia Wilde).Conrad (Jason Bateman) is helped by his old friend Dylan (Billy Crudup) and returns the favor by falling for Dylan's girlfriend Beatrice (Olivia Wilde).Conrad (Jason Bateman) is helped by his old friend Dylan (Billy Crudup) and returns the favor by falling for Dylan's girlfriend Beatrice (Olivia Wilde).
- Premios
- 1 nominación
Seamus Davey-Fitzpatrick
- Young Conrad
- (as Seamus Fitzpatrick)
Nicole Elizabeth Berger
- Young Beatrice
- (as Nicole Berger)
Ann W. Friedman
- Beatrice's Mother
- (as Ann Friedman)
Argumento
¿Sabías que...?
- CuriosidadesCompleted in 2012, not released until two years later.
- PifiasWhen Conrad presses the recording button on his tape deck and speaks in the microphone, the tape is not rolling. The needles for the volume level don't move either.
- ConexionesFeatured in Projector: The Longest Week (2014)
- Banda sonoraAir on the G string
Taken from 3rd orchestral suite in D major, BWV 1068
Composed by Johann Sebastian Bach
Performed by Jonathan Carney, Royal Philharmonic Orchestra
Reseña destacada
Don't get me wrong. This isn't a terrible movie. It's beautifully filmed and well acted, but it's just ultimately unsatisfying. I didn't mind passing an evening watching on Amazon Prime, but I wouldn't have been happy if I'd spent money for it in a theater.
The movie starts out with Bateman, as Conrad, laying out his privileged upper class problems to his therapist - played by Tony Roberts! And if that wasn't enough, the soundtrack launches into some New Orleans Jazz to remove any doubt who they're playing homage to here.
Of course, Jason Bateman's handsome and well spoken character would certainly be the *villain* in any Manhattan-era Woody Allen films, but that's just one of this movie's many problems.
Stylistically, the movie is unabashedly influenced by Wes Anderson. Roberts becomes the narrator, and the movie is divided into storybook style chapters, with occasional amusing cutaways.
On the other hand, the plot is lifted from another movie; namely, "A New Leaf" (1971), written and directed by Elaine May, and starring Walter Mathau. Mathau plays a spoiled rich playboy who has burned through his entire inheritance, and now must find a way to.get through life broke, which is basically the same plot as this movie. May's version is a classic. This, not so much.
Both Allen and Anderson have a real genius for portraying deeply flawed characters in a sympathetic way, and that's where this movie falls short. Jason Bateman is inherently likable, but at some point, you realize you're giving him credit for other characters he's played. As Conrad, he's shallow, self-centered, whiny, and just basically annoying.
Without giving away any spoilers, if you're expecting any great self-realization or epiphany, you'll be disappointed. The movie just meanders its way to one of the absolute laziest endings I've ever scene. Indeed, a critical plot point comes and goes so quickly that I initially missed it, and had to go back because I was totally confused.
The movie starts out with Bateman, as Conrad, laying out his privileged upper class problems to his therapist - played by Tony Roberts! And if that wasn't enough, the soundtrack launches into some New Orleans Jazz to remove any doubt who they're playing homage to here.
Of course, Jason Bateman's handsome and well spoken character would certainly be the *villain* in any Manhattan-era Woody Allen films, but that's just one of this movie's many problems.
Stylistically, the movie is unabashedly influenced by Wes Anderson. Roberts becomes the narrator, and the movie is divided into storybook style chapters, with occasional amusing cutaways.
On the other hand, the plot is lifted from another movie; namely, "A New Leaf" (1971), written and directed by Elaine May, and starring Walter Mathau. Mathau plays a spoiled rich playboy who has burned through his entire inheritance, and now must find a way to.get through life broke, which is basically the same plot as this movie. May's version is a classic. This, not so much.
Both Allen and Anderson have a real genius for portraying deeply flawed characters in a sympathetic way, and that's where this movie falls short. Jason Bateman is inherently likable, but at some point, you realize you're giving him credit for other characters he's played. As Conrad, he's shallow, self-centered, whiny, and just basically annoying.
Without giving away any spoilers, if you're expecting any great self-realization or epiphany, you'll be disappointed. The movie just meanders its way to one of the absolute laziest endings I've ever scene. Indeed, a critical plot point comes and goes so quickly that I initially missed it, and had to go back because I was totally confused.
- ejonconrad
- 28 ene 2020
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Найдовший тиждень
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
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- Recaudación en todo el mundo
- 46.460 US$
- Duración1 hora 26 minutos
- Color
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What is the Spanish language plot outline for The Longest Week (2014)?
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