Cuando Priscilla Beaulieu conoce a Elvis Presley, el hombre que ya es una superestrella del rock and roll se convierte en alguien totalmente inesperado: un enamoramiento emocionante, un alia... Leer todoCuando Priscilla Beaulieu conoce a Elvis Presley, el hombre que ya es una superestrella del rock and roll se convierte en alguien totalmente inesperado: un enamoramiento emocionante, un aliado en la soledad, un mejor amigo vulnerable.Cuando Priscilla Beaulieu conoce a Elvis Presley, el hombre que ya es una superestrella del rock and roll se convierte en alguien totalmente inesperado: un enamoramiento emocionante, un aliado en la soledad, un mejor amigo vulnerable.
- Dirección
- Guión
- Reparto principal
- Premios
- 6 premios y 35 nominaciones en total
Dan Beirne
- Joe
- (as Daniel Beirne)
Austin Ball
- Larry
- (as R Austin Ball)
Reseñas destacadas
When a film seeks to depict the life story of a beloved public figure, it generally works best when it paints a comprehensive portrait of said individual. However, in this biography of the wife of rock icon Elvis Presley, viewers get a picture that seemingly tells only half of the story. Writer-director Sofia Coppola's latest focuses on the years Priscilla Presley (Cailee Spaeny) spent with Elvis (Jacob Elordi). They embark on a sincerely loving relationship that, sadly, falls prey to problems with drugs, firearms, infidelity, prolonged separations and control freak tendencies, conditions - largely initiated by Elvis - that eventually lead to their separation (and at times cause the film to be more about him than her). Regrettably, the choice of this narrative leaves out the many significant personal and professional accomplishments of Priscilla's life on her own, an inspiring story that's completely (and perplexingly) overlooked. As a consequence, viewers are primarily shown a profile of a predominantly subservient character who rarely rebels until she finally somehow musters up the courage to leave (where did that trait come from?), with nothing about the successes that followed. In addition, there are many story threads that feel unresolved or underdeveloped, leaving audiences hanging about what comes from them. To its credit, "Priscilla" is, in several respects, some of the best (though surprisingly most conventional) work that Coppola has produced as a filmmaker, as evidenced in the cinematography and editing and in Elordi's balanced portrayal of Elvis. But, like other of Coppola's efforts, this offering could still use some tidying up in the writing, character development and overall story structure. The wife of a King truly warrants better treatment.
Priscilla does really well when it comes to cinematography and direction. There are good shots in the movie and Coppola did an amazing job as director.
However, the screenplay was very disappointing to me. The story feels slow at times and gets into a repetitive cycle after a while: Elvis does something horrible to Priscilla, they fight, Priscilla hesitates to leave him, and finally forgives him for unexplainable reasons. And in the end, when she finally leaves him, we don't know what finally made her make the decision, she just leaves. Moreover, I was expecting to see more of Priscilla's life where Elvis is not a central part of the story, as the title might have suggested, but the film starts when she meets him and ends when he is no longer part of her life.
Apart from that, I think Cailee Spaeny did an incredible job and is the highlight of the movie. I have mixed feelings about Jacob Elordi, at times he felt like the perfect choice for the role, but other times it felt like I was watching his Euphoria character.
The movie is a beautifully decorated but empty box.
However, the screenplay was very disappointing to me. The story feels slow at times and gets into a repetitive cycle after a while: Elvis does something horrible to Priscilla, they fight, Priscilla hesitates to leave him, and finally forgives him for unexplainable reasons. And in the end, when she finally leaves him, we don't know what finally made her make the decision, she just leaves. Moreover, I was expecting to see more of Priscilla's life where Elvis is not a central part of the story, as the title might have suggested, but the film starts when she meets him and ends when he is no longer part of her life.
Apart from that, I think Cailee Spaeny did an incredible job and is the highlight of the movie. I have mixed feelings about Jacob Elordi, at times he felt like the perfect choice for the role, but other times it felt like I was watching his Euphoria character.
The movie is a beautifully decorated but empty box.
I have been excited to see this for months - finally out on MAX so I went for it - and the first hour was fantastic . They were both very good in their roles and the chemistry( or lack of ) was very well presented . It took the story of the two of them meeting and made it come to life , the filming was interesting and the general vibe felt spot on . The development in this first part for the characters was great and you really felt like you were being set up to be taken somewhere
And then ....
Then all the sudden the second half it's like the character development just stopped , very little connected together or made sense without background knowledge into the story as a whole , and then the last 20 min it was like "oh shoot we have 20 min better finish it " and no one could figure out exactly how .
The jump from being in an abusive relationship to being her own woman was instant and it all felt very juvenile and hallmark in the end .
Worth watching ? Yes for sure . Not great film but really could have been which made it more disappointing.
And then ....
Then all the sudden the second half it's like the character development just stopped , very little connected together or made sense without background knowledge into the story as a whole , and then the last 20 min it was like "oh shoot we have 20 min better finish it " and no one could figure out exactly how .
The jump from being in an abusive relationship to being her own woman was instant and it all felt very juvenile and hallmark in the end .
Worth watching ? Yes for sure . Not great film but really could have been which made it more disappointing.
The movie fails to provide a closer look at the real Priscilla -- most of the movie's portrayal is already known to the world-wide Elvis audiences. Worse is that it portrays Elvis in such a negative light -- again, much of which; the drug addiction and its obvious ills, the audience already knows. The actors did what they could to this uninspiring script, especially Elordi but it was really the visuals that were, if anything, at all interesting and beautiful. That said, I could not get past the height difference between the key actors which was an obvious mismatch nor a more in-depth understanding of the main character herself. As I drove home from the theatre I just kept asking myself, "But...why? Why make this movie?" What good comes from it? For me, the portrayal did no good to Priscilla necessarily; as mentioned it taught little of her; her parents or their parenting, it lacked an emotional fullness to the real life story of this romance (if you will), and other than the bedroom scenes, very little of Priscilla's thinking, the relationship of Elvis and she. Lastly, and importantly, it does little good to the real-life extended Presley family, not to mention, the legacy of Elvis.
I saw this 2 weeks ago and completely forgot that I had. Even watching the trailer right now doesn't bring memories of me watching this movie. It's like a bland meal with zero spices. Totally unoriginal. Utterly boring and predictable. It's sad because this is a story worth telling and I'm sure that it was an epic ride for Priscilla but this movie barely made any impact. It lacked something major and I can't even put my finger on it. Don't get me wrong, it wasn't terrible but it was nothing to rave about.
My main issue with this movie is how Priscilla is portrayed. She is totally character-less. Almost no emotion. Very slow. Lifeless. As if she never even lived. Even the party scenes in Vegas were slow and lifeless. It may have been the editing or maybe the low budget (?) but this movie did not portray the grand-ness and epic-ness of the life that Elvis' girl must have had.
Watch if you're bored and have nothing better to do. Otherwise, skip.
My main issue with this movie is how Priscilla is portrayed. She is totally character-less. Almost no emotion. Very slow. Lifeless. As if she never even lived. Even the party scenes in Vegas were slow and lifeless. It may have been the editing or maybe the low budget (?) but this movie did not portray the grand-ness and epic-ness of the life that Elvis' girl must have had.
Watch if you're bored and have nothing better to do. Otherwise, skip.
¿Sabías que...?
- CuriosidadesElvis Presley Enterprises declined both their approval for Sofia Coppola's film and their permission to use Elvis Presley's songs in the film. Coppola then took to creative alternatives, including contemporary music by her husband's band, Phoenix, and cover versions of songs from the film's era.
- PifiasThe title superimposed over the opening scene is "US Air Force Base West Germany 1959" over an image of a 50 star flag. This should have been a 48 or 49 star flag. Although Hawaii had been admitted to the union on August 21, 1959, the new flag was not officially raised until July 4, 1960.
- Créditos adicionalesA photo of the crew is shown after the end credits.
- ConexionesFeatured in The Making of Priscilla (2023)
- Banda sonoraGoing Home
Written by Alice Coltrane and Carlos Santana
Performed by Alice Coltrane
Courtesy of Verve Records under license from Universal Music Enterprises
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Seen On Screen: Elvis and Priscilla Presley
Seen On Screen: Elvis and Priscilla Presley
IMDb looks back at when both Elvis and Priscilla Presley have been portrayed by actors on screen, plus a few times the King and his wife played their own parts.
- How long is Priscilla?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Прісцилла
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 20.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 20.960.939 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 132.139 US$
- 29 oct 2023
- Recaudación en todo el mundo
- 33.113.832 US$
- Duración
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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