La historia de la ascensión de Steve Jobs desde la deserción universitaria a uno de los emprendedores creativos más venerados del siglo XX.La historia de la ascensión de Steve Jobs desde la deserción universitaria a uno de los emprendedores creativos más venerados del siglo XX.La historia de la ascensión de Steve Jobs desde la deserción universitaria a uno de los emprendedores creativos más venerados del siglo XX.
- Premios
- 2 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesAlmost all of the scenes involving Jobs' parents' house and garage were filmed in the actual Los Altos, California house and garage where Steve Jobs grew up in the 1970s.
- PifiasWhen Jobs introduces Apple's new music player he calls it "the iPod". Jobs avoided preceding Apple devices with "the", rationalizing that doing so positioned a product as a representation of a user rather than as an inanimate object. In video of the event Jobs refers to the device as simply "iPod" without any definite or indefinite articles.
- Citas
[last lines]
Steve Jobs: [narrating] Here's to the crazy ones. The misfits, the rebels, the troublemakers, the round pegs in the square holes, the ones who see things differently. They're not fond of rules, and they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can't do is ignore them. Because they change things - they push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.
[speaking directly]
Steve Jobs: How was that?
- Créditos adicionalesThe television advertisement in the film is named: "Iron Eyes Cody: People Start Pollution, People Can Stop It". It's credited as: "Iron Eyes Cody: People Start Pollution, People Can't Stop It".
- ConexionesFeatured in The Tonight Show with Jay Leno: Episodio #21.187 (2013)
- Banda sonoraPeace Train
Performed by Cat Stevens (as Yusuf / Cat Stevens)
Written by Cat Stevens
Courtesy of Island Records Ltd.
Under license from Universal Music Enterprises
Problem #1) You don't care for Jobs and you leave the theater not knowing Jobs. There are few emotional moments in the movie - except when you want to spit on him. Fire this person unnecessarily; deny that loyal employee well-earned benefit; use your wealth to destabilize the company... it all describes someone you are glad you don't know personally or professionally.
Problem #2) The movie is paced slower than my Aunt Minnie in a walker. I've seen paint dry faster.
Problem #3) The acting... maybe I should say the affectations. Kutcher over-emphasized Jobs odd gate and stance as if it meant something. But why distract us with an antalgic back, hyper-extension of the knees, increased lordosis and anterior propulsion? It distracted from the story and took me out of the movie every time.
Problem #4) The editing was horrible. Scenes would start and finish randomly - with no emotional content. Many scenes had no relationship to the structure of the movie - taking valuable time and adding little to nothing; disjointed would be too nice of a word.
Problem #5) The strange arc of the story-line ended before it began in earnest. The writing didn't explain how the apple II was able to sustain the many, many years of subsequent failures. Do corporations really build stockholders via "image", not performance? Metaphysically, I know that untalented a-holes who use, abuse and throw people away deserve to suffer. But we didn't see suffering. We see a fabulously wealthy person, whose emotional system was M.I.A, slide through life on the efforts of others.
There is no teaching moment in this movie. There is no emotional content. There are no memorable lines or moments. This isn't a movie; it feels more like revenge, cold and pointless.
- mcelroyronald
- 14 ago 2013
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Jobs: Get Inspired
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 16.131.410 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6.713.900 US$
- 18 ago 2013
- Recaudación en todo el mundo
- 42.128.352 US$
- Duración2 horas 8 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1