La celebrada corresponsal de guerra Marie Colvin se dirige a las primeras filas de las guerras más influyentes del mundo para dar voz a los que no la tienen.La celebrada corresponsal de guerra Marie Colvin se dirige a las primeras filas de las guerras más influyentes del mundo para dar voz a los que no la tienen.La celebrada corresponsal de guerra Marie Colvin se dirige a las primeras filas de las guerras más influyentes del mundo para dar voz a los que no la tienen.
- Premios
- 2 premios y 10 nominaciones en total
- Iraqi Militia Captain
- (as Nadeem Srouji)
Argumento
¿Sabías que...?
- CuriosidadesIn a piece for Harper's Bazaar dated 4 December 2018, war correspondent Janine di Giovanni, who knew Marie Colvin, writes critically of the film: "There were no good guys at the Sunday Times, where Colvin worked, who cared for her well-being. There were instead editors who wanted scoops at the expense of the safety of their reporters. Colvin had many friends in London, but none of them were similar to the Bridget Jones-style girlfriend character (portrayed by Nikki Amuka-Bird) in the film. Her last boyfriend was not a caring and loving Stanley Tucci but rather a man who gave her immense heartache and distress. There were no 'heads on sticks' in Bosnia, as the character meant to be Colvin's first husband, Patrick Bishop, says in one of the opening scenes (heads were on sticks in Chechnya). Colvin's second husband, Juan Carlos Gumucio, is erased from the script altogether, though he played an important role in her life." Although positive about Rosamund Pike's performance, she recommends that her readers watch the documentary Bearing Witness (2005) instead.
- PifiasColvin's smoking sometimes does not sync - holding, inhales, exhales.
- Citas
Newspaper Editor: Why is it important, do you think, to see this images? Why is it important for you to be there? Right now you may be one of the only Western journalists in Homs. Our team has just left.
Marie Colvin: For an audience for which any conflict is very far away, this is the reality. There are 28,000 civilians, men, women and children, a city of the cold and hungry, starving, defenseless. There are no telephones. The electricity has been cut off. Families are sharing what they have with relatives and neighbors. I have sat with literally hundreds of women with infant children who are trapped in these cold, brutal conditions, unable to feed their children anything other than sugar and water for weeks on end. That little boy was one of the two children who died today. It's what happens every day. The Syrian regime is claiming that they're not hitting civilians, that they're just going after terrorist gangs. But every civilian house has been hit. The top floor of the building I'm in has been totally destroyed. There are no military targets here. It is a complete and utter lie.
Newspaper Editor: Well, thank you for using the word " lie ". I think a lot of people wanna thank you, because it's a word we don't often hear, it's not often used, but it is the truth in this case. The Syrian regime, their representatives, have continually lied. They've lied on this program to us directly. Marie, I mean, you have covered a lot of conflicts over a long time. How does this compare?
Marie Colvin: This is the worst conflict I've ever seen. It's the worst because it was a peaceful uprising that was crushed by violence. President Assad is sitting in his palace in Damascus in panic, the entire security apparatus his father built crumbling around him, and he is responding in the only way he's been taught how. When he was a child, he watched his father crush oppositions by shelling the city of Hama into ruins and killing 10,000 innocent civilians. He watched, as we're watching, a dictator killing with impunity. And the words on everybody's lips here are, " Why have we been abandoned? ". " Why? ". I don't know why.
- Créditos adicionalesImages of Colvin's newspaper articles for the Sunday Times are shown behind the initial credits.
- ConexionesFeatured in CTV News at 11:30 Toronto: Episodio fechado 14 septiembre 2018 (2018)
Thrilling and thorny film with fine actors regarding the world of the war correspondents. This tense and nail-biting biograpical thriller is packed with as much taut action , enjoyable message as the storyline will allow , but let down at times due to its slowness and coldness. Engaging and raw film being compellingly shot , adding some political moments and its allegedly wave flag of impartiality cannot obscure the tension dripping from every frame of such reconstructed immediacy. Stars Rosamund Pike who gives a very acting as the brave correspondent who sacrifices loving relationships -to her lover Stanley Tucci- , and over time, her personal life starts to unravel as the trauma she's witnessed takes its toll. The film follows her fruitful career with United Press International (UPI), a year after graduating from Yale. She worked for UPI first in Trenton, then New York and Washington. In 1984, Colvin was appointed Paris bureau manager for UPI, before moving to The Sunday Times in 1985. From 1986, she was the newspaper's Middle East correspondent, and then from 1995 was the Foreign Affairs correspondent. In 1986, she was the first to interview Libyan leader Muammar Gaddafi after Operation El Dorado Canyon. Gaddafi said in this interview that he was at home when U. S. planes bombed Tripoli in April 1986, and that he helped rescue his wife and children while "the house was coming down around us".
The movie belongs to sub-genre that abounded in the 80s about reporters all around the world covering dangerous political conflicts , such as Indonesia in ¨The Year of Living Dangerously¨(1982) by Peter Weir with Mel Gibson , Sigourney Weaver, Linda Hunt ; Salvador in ¨Salvador¨ by Oliver Stone with James Woods and James Belushi, Libano in ¨Deadline¨ by Nathaliel Gutman with Christopher Walken and Hywel Bennett and Nicaragua ¨Under fire¨ (1983) shot by Roger Spottiswoode with Nick Nolte, Gene Hackman, Joanna Cassidy .
Adding more biographical data to those already presented in the film, these are the following: Marie Catherine Colvin ( 1956 -2012) was an American journalist who worked as a foreign affairs correspondent for the British newspaper The Sunday Times from 1985 until her death. She was one of the most prominent war correspondents of her generation, widely recognized for her extensive coverage on the frontlines of various conflicts across the globe. On February 22, 2012, while she was covering the siege of Homs alongside the French photojournalist Rémi Ochlik, the pair were killed in a targeted attack made by Syrian government forces. After her death, Stony Brook University established the Marie Colvin Center for International Reporting in her honor. Her family also established the Marie Colvin Memorial Fund through the Long Island Community Foundation, which strives to give donations in Marie's name in honor of her humanitarianism. In July 2016, lawyers representing Colvin's family filed a civil action against the Syrian Arab Republic in the US District Court for the District of Columbia, claiming they had obtained proof that the Syrian government had directly ordered her assassination. In a verdict issued in 2019, the Columbia District Court found the Assad regime guilty of "extrajudicial killing", terming it as an "unconscionable crime" deliberately committed by the government, and mandated Syria to pay Colvin's family $302 million in compensation for the damages.
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- 16 ago 2024
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- A Private War
- Localizaciones del rodaje
- Jordan(on location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 18.800.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.633.208 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 60.491 US$
- 4 nov 2018
- Recaudación en todo el mundo
- 3.915.207 US$
- Duración1 hora 50 minutos
- Color
- Relación de aspecto
- 2.39 : 1