RELEASED IN 2013 and directed by Gabriel Sabloff, "Revelation Road: The Beginning of the End" stars David A.R. White as a traveling salesman in the deserts of the Southwest with a dark past, who just wants to get home to his wife (Jen Lilley) and daughter. But his plans are disturbed by a crazy outlaw biker gang and a wise gun store owner (Ray Wise), his granddaughter (Noell Coet) and wife (Eliza Roberts), not to mention the foreboding lightning and tremors. Brian Bosworth plays the head thug while Eric Roberts appears as the sheriff. The striking Andrea Logan White is also on hand as one of the gang members.
This film and its immediate sequel, "Revelation Road 2: The Sea of Glass and Fire," were shot back-to-back and released four months apart in 2013. "Revelation Road: The Black Rider" (2014) completes the trilogy. I have yet to see the two sequels, but the fact that this movie is the beginning of a trilogy should be kept in mind in appraising it. In other words, it's a foundation for a greater work and not a stand-alone film.
If you're familiar with Christian productions from the new millennium, like "Left Behind: The Movie" (2000), "Deceived" (2002), "Fireproof" (2008), "Cutback" (2010), "I Am" (2010), "Abel's Field" (2012), "Do You Believe?" (2015), "War Room" (2015) and "God is Not Dead 2" (2016), this film is cut from a different cloth (of course, you could say the same for "Deceived" and "I Am").
Imagine if Tarantino made an oddball evangelical flick on a low-budget; that's what this movie's like. The outlaw bikers are depicted better than in most of those dubious biker flicks from the late 60s and early 70s while the action is so over-the-top it's almost cartoony, but not really if you consider the Las Vegas massacre and similar insane public bloodbaths. There's a meandering, almost unfocused vibe to the proceedings, which can be defended on the grounds that it reflects the meaningless of life. Regardless, the limited-budget filmmaking is competent enough and the actors are stalwart and convincing.
There's a killer ultra-heavy cut on the soundtrack that appears during the prologue and later in the movie, as well as a great modern rock song during the end credits. There's also a couple of moving mellow songs by Serena Matthews, one during the final credits (after the rock song).
THE FILM RUNS 88 minutes and was shot in the deserts of the American Southwest (I can't find info on the exact locations). WRITERS: Sean Paul Murphy & Sabloff.
GRADE: B-/C+ (5.5/10)
