El astronauta Roy McBride viaja a los confines del sistema solar en busca de su padre desaparecido y desvelar un misterio que amenaza la supervivencia de nuestro planeta.El astronauta Roy McBride viaja a los confines del sistema solar en busca de su padre desaparecido y desvelar un misterio que amenaza la supervivencia de nuestro planeta.El astronauta Roy McBride viaja a los confines del sistema solar en busca de su padre desaparecido y desvelar un misterio que amenaza la supervivencia de nuestro planeta.
- Nominado para 1 premio Óscar
- 13 premios y 76 nominaciones en total
- Sal
- (as Daniel S. Sauli)
Argumento
¿Sabías que...?
- CuriosidadesUnlike several contemporary films where CGI is used to depict the spacecraft and the vast space, director James Gray decided to use practical effects like models and props for the spacecraft exterior shots. Also, instead of using CGI for planets, he decided to use still images to portray the surface of the planets. This same technique was used in 2001: Una odisea del espacio (1968).
- PifiasThe distance from Tycho crater (where Roy lands on the Moon) to the center of Farside (where the "Cepheus" is located) is roughly 1,700 miles. Traveling at the speed shown and assuming no stops, Roy's lunar rover would take a couple of days to get there.
- Citas
Roy McBride: [Last lines] I'm steady, calm. I slept well, no bad dreams. I am active and engaged. I'm aware of my surroundings and those in my immediate sphere. I'm attentive. I am focused on the essentials, to the exclusion of all else. I'm unsure of the future but I'm not concerned. I will rely on those closest to me, and I will share their burdens, as they share mine. I will live and love.
- Créditos adicionalesThere is no fanfare during the 20th Century Fox logo.
- ConexionesFeatured in Chris Stuckmann Movie Reviews: Ad Astra (2019)
This is a cinematic masterpiece in directing, sound and cinematography. It resembles 2001: A Space Odyssey in a few ways, mainly the lighting, and the colours of some scenes, a few angles too.
It always follows the main character's perspective, so the voiceover kind of makes sense, it's always the things that he thinks, or the stuff that's in his mind.
The music compliments the events of the story very well, the sounds were pretty realistic and jaw-dropping, and almost every frame is just beautiful.
The acting is mostly good. There weren't a lot of people in the film, but Brad Pitt and Tommy-Lee Jones are knocking it out of the park.
I only have a few little issues with the movie.
There was a scene with a CGI monkey, (you all know what I am talking about), which just came out of nowhere. It was really odd, and out of place. Also, the CG on it was the weakest in all of the movie.
My second issue was with the scene on the moon, with other vehicles. It was foreshadowed, but it really didn't need to be there, and while it was made very well and effectively, the events themselves are too unrealistic because of how convenient some things are.
Also, there are sequences where milimeters could matter, lives could be at stake if someone makes a mistake, and sometimes they are lucky enough to conveiniently survive.
But overall, this is something I'd like to see again. It shows how much ambition Sci-fi has, but it also shows what could go wrong with it.
- DrunkenDeGroot
- 22 sept 2019
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Ad Astra. Hacia las estrellas
- Localizaciones del rodaje
- Dumont Dunes, California, Estados Unidos(Mars scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 90.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 50.188.370 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 19.001.398 US$
- 22 sept 2019
- Recaudación en todo el mundo
- 127.461.872 US$
- Duración2 horas 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1