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I actually really liked this show. I enjoy both Jessica Biel and Elizabeth Banks as actresses. I love shows and movies that are based in beach towns bc I'm from the beach, and it gives me that nostalgic feeling of being home.

I felt like it had a great cast, good storyline, and most of all it kept me watching. What I was really annoyed by, and get more annoyed by as time goes on, is this narrative about white people. More about white women, and how we don't trust each other, regularly screwing one another over, and that we don't come from loving caring homes, especially not having the same kind of strong, matriarchal relationships with our mothers and grandmothers, as if they aren't as loving or kind as our black counterparts.

That couldn't be further from the truth. I've seen both sides of the spectrum from both races. I'm all for uplifting black women, and women in general as long as we're not tearing down white women, or any race while we're doing so. I just don't get it. Can we not get through one series without targeting a certain demographic?!

I'm sure this is going to upset some people, but it needs to be said. We need to uplift all women, and stop with trying to tear down one, or the other, and that goes both ways.

Conservatively speaking I've probably seen more than a hundred criminal trials on screen. In about 90% of them a very big deal is made about keeping the defendant off the witness stand. In the other 10%, the defendant is begging against the defense attorney's wishes to be put on the stand. Sometimes when the defendant is the star and requires a star turn on the stand, they get their wish, but usually they don't. In this one the defendant suddenly appears on the stand. We don't know who called him there, but it's too early in the trial for it to have been the defense attorney...plus it's completely against the defense strategy. Plus there's evidence that's sprung on him that does not abide by the rules of evidence disclosure. It is a screamingly fraudulent scene for anyone remotely knowledgeable about criminal law, even if that knowledge only comes from the movies and TV. It completely undermines the story and the good work of Biel and Banks. Worst of all, it shows total contempt for the viewer. Turned it off after that.

Just as with Bad Sisters, it was great seeing the dynamic of the sisters and how they loved and protected each other. Jessica Biel and Elizabeth Banks had a wonderful chemistry between them. While the husband in The Better Sister was definitely a villian, he wasn't to the same level of evil as John Paul...that guy a zero redeeming qualities.

Some of the characters were typically stereotypical- the greedy corporate lawyer played by Matthew Modine and I never really understood 'Chloe's' Business partner 'Catherine', she seemed pretty irrelevant to the storyline.

I did like most of the twists and turns, never real sure 'who done it', so overall it kept it interesting.

Jessica Biel and Elizabeth Banks as sisters - it just works. The casting clicks immediately: familiar faces, magnetic in different ways, grounded enough to feel real but polished enough to keep your eyes glued. From the start, there's tension, that quiet kind that hums under every line. The show doesn't rush. It unspools slowly, feeding you just enough to stay hooked, each clue another tug on the line. And Biel? She's a force. Strong, lean, commanding in every frame. The camera knows it, too - it lingers, those sleeveless shirts doing half the storytelling.

But then comes the final episode. The rhythm stutters. That careful pacing, the mystery, the restraint - it all gives way to a clumsy data dump. Answers come too fast, too neat, and you're left wondering how something so taut unraveled so suddenly.

My wife and I finished all 8 episodes of this 8-episode miniseries streaming on Prime, also produced by the two main actors who play the sisters. When we watch a fictional series like this our best measure is whether we are anxious to see the next episode. With this series we always were and the last episode, which ties everything up, is entertaining and satisfying.

Jessica Beihl and Elizabeth Banks are in fine form and those characters, and their interactions, are the main thrust of the series. As episodes move along the stories continue to introduce new twists. For strict entertainment, it fills the bill. However it seems that every character uses the worst profane language that you can imagine, quite a bit too much in my opinion, so that was often a big distraction. It seems that all shows like this use that approach, sadly.

In many ways it is hard to find anyone to root for. No angels in this set of characters. But if everyone is bad (except the teenage son) then you find the entertainment in their misdeeds and seeing how they will survive the quagmires they find themselves in.

In the first episode we are presented with two big issues. First, a murder, and with clues we are presented it isn't clear who might have done it. Then we are presented with the tension between the estranged sisters. The victim has been husband to both of them.

Jessica Biel is the younger sister, Chloe, a prominent executive with a Manhattan firm, her husband is an attorney. They have a son, about 17. But they have only been married for almost ten years.

The other sister lives in Cleveland, OH, and has been sober for five years, clearly not yet living the good life. She is played by Elizabeth Banks as Nickey. The son is actually hers. The sisters get along like fire and ice.

We were entertained, the ending set itself up for a second season if they choose to go that way.