In Space, No One...
- El episodio se emitió el 3 sept 2025
- TV-MA
- 1h 4min
PUNTUACIÓN EN IMDb
8,8/10
4,4 mil
TU PUNTUACIÓN
Una nave espacial en apuros desencadena un peligroso ajuste de cuentas.Una nave espacial en apuros desencadena un peligroso ajuste de cuentas.Una nave espacial en apuros desencadena un peligroso ajuste de cuentas.
- Dirección
- Guión
- Reparto principal
Imágenes
Sydney Chandler
- Wendy
- (crédito solo)
Alex Lawther
- Joe Hermit
- (crédito solo)
Essie Davis
- Dame Sylvia
- (crédito solo)
Adarsh Gourav
- Slightly
- (crédito solo)
Erana James
- Curly
- (crédito solo)
Lily Newmark
- Nibs
- (crédito solo)
Jonathan Ajayi
- Smee
- (crédito solo)
David Rysdahl
- Arthur Sylvia
- (crédito solo)
Diêm Camille
- Siberian
- (crédito solo)
Moe Bar-El
- Rashidi
- (crédito solo)
Adrian Edmondson
- Atom Eins
- (crédito solo)
Timothy Olyphant
- Kirsh
- (crédito solo)
Reseñas destacadas
What an amazing episode showing what happened to the crew. I wished for this the moment episode 1 sped things up and showing ahead of this. Introduction to the new creatures were awesome. Crew all played their parts magnificently. I want more like this and am not looking forward to going back to the adult children bots.
This is a strong horror-focused chapter that does a very good job portraying events on board the Maginot before those shown in the episode Neverland.
As we already know the outcome for the ship and most of the characters on board, there is only so much tension to be generated. However, the filmmakers use the space tics and ocellus well to keep the atmosphere suitably creepy and sustain the suspense. Additionally, the mystery of the saboteur and how it connects to the overarching narrative unfolds nicely.
For me, the development of the character Morrow is a highlight. The writers have drip-fed information about him so far, and here we are given a sufficient amount to keep the arc interesting. We needed to know more about his backstory and motivation, and this chapter explains it well.
There are likely to be eyebrows raised in relation to the xenomorph scenes. I anticipate words like inconsistency and phrases like plot armour being used to describe certain moments. That being said, their presence is still nightmare fuel, but maybe not as potent when it shares the chamber with a variety of other horrors.
What will frustrate most is the lack of caution shown by certain characters in key moments that stretches plausibility to the limit. It depends on how seriously you take fictional stories.
As we already know the outcome for the ship and most of the characters on board, there is only so much tension to be generated. However, the filmmakers use the space tics and ocellus well to keep the atmosphere suitably creepy and sustain the suspense. Additionally, the mystery of the saboteur and how it connects to the overarching narrative unfolds nicely.
For me, the development of the character Morrow is a highlight. The writers have drip-fed information about him so far, and here we are given a sufficient amount to keep the arc interesting. We needed to know more about his backstory and motivation, and this chapter explains it well.
There are likely to be eyebrows raised in relation to the xenomorph scenes. I anticipate words like inconsistency and phrases like plot armour being used to describe certain moments. That being said, their presence is still nightmare fuel, but maybe not as potent when it shares the chamber with a variety of other horrors.
What will frustrate most is the lack of caution shown by certain characters in key moments that stretches plausibility to the limit. It depends on how seriously you take fictional stories.
Retro futurism at its finest. Catode monitors, Mechanical controls everywhere. That late 70- early 80 vibe from every character pull trough verry well. Great addition to the Alien Universe of T. Ocellus. Also great pacing, firmly in touch with the Ridley Scott's Alien.
PS Kind of a miracle the crew survived 65 years in deep space, plus collecting specimens, with so gross incompetence and negligence.
PS Kind of a miracle the crew survived 65 years in deep space, plus collecting specimens, with so gross incompetence and negligence.
In an era of rehashing, redundant and repeatedly rebooting franchises this series has a new and refreshing feel reminiscent of the last predator film Prey. With relevant and current themes around tech and AI I really enjoyed the first few episodes as the characters are interesting and well cast.
The visuals and dialogue have been great and always on the edge of my seat on each episode and wanting the next one to come quicker to see where we are going next.
Franchise fan or new comer will enjoy and I look forward to seeing this become a series for many years to come with the richness of characters that could lead to intriguing sub plot stories.
The visuals and dialogue have been great and always on the edge of my seat on each episode and wanting the next one to come quicker to see where we are going next.
Franchise fan or new comer will enjoy and I look forward to seeing this become a series for many years to come with the richness of characters that could lead to intriguing sub plot stories.
This episode gave us the classic Alien chills, thrills and kept us on the hook even though we knew how exactly it's going to end. If the previous episodes were half as intelligently written and made as this one, the series would have been already considered one of the great sci-fis.
The eye in the goat was the creepiest moment among all the otherwise inane and bland previous episodes. This episode further expands the eye's capabilities, and I love it. I hope we get to see a longer battle between the eye and xenomorph in future.
The eye in the goat was the creepiest moment among all the otherwise inane and bland previous episodes. This episode further expands the eye's capabilities, and I love it. I hope we get to see a longer battle between the eye and xenomorph in future.
¿Sabías que...?
- CuriosidadesThe episode title is the first half of the iconic tagline: "In space, no one can hear you scream", used as part of the promotional material for the original Alien, el octavo pasajero (1979) film.
- PifiasWhen Morrow is sitting at the computer while the alien is breaking down the door, the words on the screen reflect onto his face, but if the text on his face is a reflection, it should be backwards, which it isn't.
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Detalles
- Duración
- 1h 4min(64 min)
- Color
- Mezcla de sonido
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