American Ultra

American ULTRA is an action-packed comedy that doesn't deserve the bad rep it's been getting. The writing was really strong; Max Landis injected clever and quirky dialogue into a pretty simple story, giving it its own definitive personality. There's a ton of pot smoking, there's a whole lot of killing, and Jesse Eisenberg plays a badass action hero. Yea. If you're not down with any of that, don't watch this movie.

The chemistry between Jesse Eisenberg and Kristen Stewart, who've worked together before, is one of the best things American ULTRA has going for it. You completely believe them as this young couple; the 'tree and car' metaphor in the film, despite being top-tier pot talk, was quite touching. I can't really say the same thing about Topher Grace though; almost everything he said was outright cringe-worthy and over-the-top. It's strange though because, on paper, his character is a perfect match for the kind of tone this film was going for. Unfortunately, he just ended up feeling out of place.

Many people are describing this movie as a cross between Pineapple Express and Bourne Identity, and it's difficult to argue against that. I know what you're thinking; it's a bizarre marriage indeed. But when you watch this, the amalgamation actually works. The jokes don't always hit, but the action hits hard. And while it's engaging and well choreographed, the film never takes itself too seriously; the balance between stoner comedy and crazy, bloody violent action is handled well, not as seamless as one would hope though. And through all the insanity that transpires, American ULTRA still manages to maintain a heart.

I can positively say that I enjoyed watching American ULTRA. Is it a great movie? Hell no! I wouldn't even call it good, but it's funny when it needs to be, the violence, while excessive at times, always fit the story, and it's original. If you're someone who wants Hollywood to simmer down with all the reboots and sequels, then go see American ULTRA in theatres. You'll have fun and, at the same time, be supporting originality in cinema.