This is a tale probably since its origin - BOLLYWOOD fails to give the necessary depth, breadth and focus to/on a topic. Whether it is the nation's heroes from Bajirao to Manjhi or it is a war epic, the focus is always on exaggerated display of love and other emotions and the facts are conveniently missed(since it requires more efforts and will). Some points to elaborate :
1. Not a single minute was dedicated to how Manjhi broke the rocks and carved the mountain. Well, he spent nights thinking about the strategy. He used to collect weeds, grass etc., create fire on the rocks wherever possible and suddenly cool them to develop cracks so that they would crumble. The other 5-6 huge rocks he took 1 month each to develop cracks. No effort was made to show these aspects
2. A torture of inept songs and Manjhi's bereaved love ! Just listen to his interviews and one would realize that his wife's death was just a trigger for his journey and the movie shows as if he is doing it only for his love - what a degenerated depiction of a man who had a much deeper and wider understanding of the social and practical problems plaguing the village
3. Manjhi attempted to build a bridge on a nearby river(not shown in the film), walked to Delhi for raising funds(!). He always thought that the whole state needs help and openly said that, yet, the film focuses on his work as a madman, well a madman always has a vision, a plan and a dream. The film comes out short on projecting this
The only savior for the films are its cast's efforts and few facts and dialogues.
Ketan Mehta first messed up Mangal Pandey and now Dashrath Manjhi. Bollywood should needs to seriously alter its approach towards non- fictional works, else, they end up in reducing heroes to some fairy tale stories, rather than concrete examples of success...
