GJLS: Ibuku Ibu-Ibu

This film is very suitable if you need fresh entertainment, you will also be presented with absurd comedy. The film carries GJLS's signature absurd, spontaneous, and improvisational comedy style. Viewers who are familiar with podcasts or their content will find it very relatable. Rigen, Hifdzi, and Rispo appear very relaxed and natural. Their interactions feel like hanging out with old friends - not contrived, and that's precisely their strength. Luna Maya, Bucek Depp, and Nadya Arina are also present to provide depth and balance in this film. Monty Tiwa also played an important role in ensuring that the film did not stray too far from the rules of filmmaking.

"Ibuku Ibu-Ibu" is a genius piece of absurdist comedy that proudly breaks away from the conventions of mainstream Indonesian cinema. The signature chaotic humor of the GJLS trio shines throughout-wild, unpredictable, and unapologetically offbeat.

This film isn't made for everyone, and that's okay. Those unfamiliar with GJLS's comedic DNA or who prefer structured, traditional narratives may find it jarring, even offensive. But to dismiss it as merely sexist or nonsensical is to miss the point entirely. It's satire, it's layered absurdity, and above all, it's refreshingly honest in its refusal to conform.

For fans of experimental, unfiltered humor, this film is a rare gem.

And let's be honest-what other movie casually drops bloopers into the actual film? Wkwk 😂

This film is a new breakthrough for the world of cinema from the comedy glass to provide fresh entertainment and outside the cinema box. It's too bold!

From the beginning we watch we will be presented with a plot twist that we will never expect, starting from who his mother is and who feni really is and what kind of ending, besides that this film also raises several social issues that occur in Indonesia that getting married in Indonesia is very costly, then there is the issue of how strong Indonesia believes in the supernatural and then how miserable online gambling and online loans are not used properly.

Critics say it's "shallow", "sexist", full of "body-shaming"? Maybe they missed the part where Rispo's outrageous behavior is not glorified, but thrown in your face so hard it demands reflection. This isn't moral decline-it's a brutal satire of how numb and ridiculous society has become. But sure, go off.

What's even funnier is watching people who clearly don't enjoy absurdist comedy voluntarily sit through 90 minutes of pure chaos... just to write a thesis-length review on how offended they are. At some point, it's not criticism-it's masochism with a keyboard.

No, it doesn't care about your structure.

No, it doesn't want to be "clever".

Yes, it's messy.

Yes, it's supposed to be.

Because chaos, when done right, is honest. And Ibuku Ibu-Ibu is hilariously honest.

Some people watch GJLS: Ibuku Ibu Ibu and come out confused, disappointed, or eager to overanalyze it like it's an arthouse drama. Which is fascinating, considering the tagline literally says: #SiapGoblok. It's almost poetic - walking into a funhouse and getting mad because the mirrors are distorted.

This film knows exactly what it is: absurd, chaotic, hilarious, and unashamed. It doesn't try to impress with complexity-it invites you to laugh at the very absurdity we often see in everyday life (and in ourselves). The GJLS trio aren't just characters; they're reflections of how we, as a society, often act before we think-loud, messy, but oddly familiar.

And yet, some people still insist on treating every film like an academic paper. If there's no long-winded explanation or symbolic subtext, they dismiss it as "low effort." Ironically, they miss the brilliance hidden in the chaos-because true satire doesn't come with a label saying "please take this seriously."

And to those who'll surely dislike this review? Just scroll down and look for the thumbs down - that's where the "overthinkers anonymous" usually gather.

If you didn't enjoy the film, maybe it's not the movie that didn't get the point-maybe it's you.