Agrega una trama en tu idiomaExperimental film on Brazilian avant-garde artist Helio Oiticica and his works, specially Parangolé.Experimental film on Brazilian avant-garde artist Helio Oiticica and his works, specially Parangolé.Experimental film on Brazilian avant-garde artist Helio Oiticica and his works, specially Parangolé.
Fotos
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- ConexionesFeatured in À Meia Noite com Glauber Rocha (1991)
- Bandas sonorasSympathy for the Devil
(uncredited)
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
Opinión destacada
An experimental and artistic look at the work of artist Hélio Oiticica (1937-1980), a known representative of the Neo-Concrete Movement,
which proposed that art wasn't just an object and it challenged usual conventions of what is about and what could be done with.
With the creation of his Parangolés (capes, flags and/or banners made with fabrics and plastic that included poems or social/political quotes) used on dance performances where the spectactor can join the act. Here, filmmaker Ivan Cardoso captures some of those performances, some of Oitica's view on art and the idea of being an inventor, and the short also introduces his artist friends on brief meetings and music bits from classic sambas and even The Rolling Stones.
A more versed crowd on Oiticica and his works will find a great source to admire him and fulfill their curious minds about the man and his works, specially those who enjoy experimental works where the intention is merely to present everything in a non typical fashion or a highly elaborate manner. Also a great opportunity to see the artist outside of his experimental shorts done during his New York days, and meeting with Lygia Clark (also part of the movement), Caetano Veloso and others. It marks his last project while living, soon after his return to Brazil in '79 he passed away in the following year, from a stroke. If the controversy about his return were truth, revolving on dealing with authorities heckling about his sexuality, no wonder why he got so sick.
If following the exact idea of the artistic movement, depending on how you absorb that craziness of it all with a lack of cohesion in its presentation, the better you feel the experience. It's not about finding a meaning, it's about how everything shown appeals to you and the feelings that are taken out of you. I'm okay with that as I enjoyed the mystery of it all, and many of Oiticica's talks about what he was trying to conceive and trying to be. All valid expressions of an artist and creator.
But it wasn't a case of being deeply invested. The sound goes to some atrocious noising, and that fixed notion of wanting to understand anything is hard to be conquered. Let's just say I wasn't bored by it, therefore it gets a praise from me. 6/10.
With the creation of his Parangolés (capes, flags and/or banners made with fabrics and plastic that included poems or social/political quotes) used on dance performances where the spectactor can join the act. Here, filmmaker Ivan Cardoso captures some of those performances, some of Oitica's view on art and the idea of being an inventor, and the short also introduces his artist friends on brief meetings and music bits from classic sambas and even The Rolling Stones.
A more versed crowd on Oiticica and his works will find a great source to admire him and fulfill their curious minds about the man and his works, specially those who enjoy experimental works where the intention is merely to present everything in a non typical fashion or a highly elaborate manner. Also a great opportunity to see the artist outside of his experimental shorts done during his New York days, and meeting with Lygia Clark (also part of the movement), Caetano Veloso and others. It marks his last project while living, soon after his return to Brazil in '79 he passed away in the following year, from a stroke. If the controversy about his return were truth, revolving on dealing with authorities heckling about his sexuality, no wonder why he got so sick.
If following the exact idea of the artistic movement, depending on how you absorb that craziness of it all with a lack of cohesion in its presentation, the better you feel the experience. It's not about finding a meaning, it's about how everything shown appeals to you and the feelings that are taken out of you. I'm okay with that as I enjoyed the mystery of it all, and many of Oiticica's talks about what he was trying to conceive and trying to be. All valid expressions of an artist and creator.
But it wasn't a case of being deeply invested. The sound goes to some atrocious noising, and that fixed notion of wanting to understand anything is hard to be conquered. Let's just say I wasn't bored by it, therefore it gets a praise from me. 6/10.
- Rodrigo_Amaro
- 27 abr 2024
- Enlace permanente
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Detalles
- Tiempo de ejecución13 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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Principales brechas de datos
By what name was HO (1979) officially released in Canada in English?
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