The movie begins with its characters unable to escape from a serious trouble they put into themselves. We also see the ironies of this world where a person who came from a dirty past has more sense of generosity than some religious group that is supposed to be a representation of humility. But the big picture here is we live in a complex world, where you don't exactly know who is good or bad and what exactly is right or wrong. What matters is you survive. We explore these lives in total bleakness, where you felt that everything is under control by meaningless oppression, which makes you empathize these characters despite of their choices. This isn't quite a new story or lesson to tell, but its context and how the film puts these things together are what makes it brilliant. The pacing may be slower compared to director Matti's other crime thriller, OTJ, but the momentum is still felt, as the plot moves forward with a consistent slow burn.
One of the remarkable things around is the tension, like you can feel that bad things are meant to happen at every turn. It also helps that the score gets louder whenever things really get too far. The camera also shoots these moment by simply establishing the whole atmosphere of a particular sequence. But then, everything about the camera-work is strikingly terrific. The exterior shots are undeniably gorgeous, while everything else is just spot-on. The acting is no different from the quality of its filmmaking. Putting John Lloyd Cruz's talent outside from his romantic film mold proves that there is truly more to this actor than what we usually see from him. He presents whatever this role is feeling even at his quietest moments and what makes it remarkable is how natural he performs. No matter what situation he is facing, it makes the characters a lot easier to get inserted into.
There should be more local films like Honor Thy Father. I mean, the experience stands quite differently, even compared to many independent local films that you may usually encounter. How the story moves forward is expertly paced, the performances are authentic, the cinematography is obviously beautiful, the suspense is unpredictable and the themes and commentary are just powerfully represented. Yeah, the story is quite simple, but again, it just takes the advantage of true cinema and beyond, resulting a breathtaking gritty drama of which could have been just another crime thriller.
