Un prestigioso director de arte del museo de Estocolmo vive tiempos de crisis tanto en el área profesional como en el personal cuando intenta organizar una nueva y controvertida exposición.Un prestigioso director de arte del museo de Estocolmo vive tiempos de crisis tanto en el área profesional como en el personal cuando intenta organizar una nueva y controvertida exposición.Un prestigioso director de arte del museo de Estocolmo vive tiempos de crisis tanto en el área profesional como en el personal cuando intenta organizar una nueva y controvertida exposición.
- Dirección
- Guionista
- Elenco
- Nominado a 1 premio Óscar
- 33 premios ganados y 46 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe crowd Oleg was taunting in the dinner scene, throwing water over and pushing around, were in fact drawn from the actual ranks of Sweden's 1 percent, including some of the country's wealthiest art patrons ("They were so into it," Terry Notary said).
- ErroresIn the closing titles of "The Girl With A Kitten" clip, the Hebrew version is wrong: the English noun "square" appears in Hebrew as "an open space in a city" rather than "rectangle with all sides equal").
- ConexionesFeatured in The 75th Annual Golden Globe Awards (2018)
- Bandas sonorasNo Good (Extended Mix)
Performed by Fedde Le Grand, Ossama Al Sarraf and Ned Shepard (as Sultan + Shepard)
Written by Ossama Al Sarraf, James Bratton, Kelly Charles, Robin Morssink, Fedde Le Grand and Ned Shepard
Opinión destacada
A clever, and insightful, but somewhat meandering, social satire that, in hindsight, feels more like a series of vignettes loosely connected by the films protagonist, a well-known museum curator. The satirical sections that focus on the Modern Art world are dead on, although with, perhaps too much restraint. For the most part they are so understated you might find yourself wondering if the filmmakers were intentionally being satiric; except for, obviously, the film's high-point "Welcome to the Jungle" - both its most humorous and chilling sequence - which literally has a punchline at the end. It could easily be argued the film is worth watching for this section alone. Primarily concerned with how individuals interact with society and the world around them, scenes often play out with the camera focused on one character's reaction as opposed to the action, or conversation, occurring off-screen. This can be a disorienting choice, and, at times, confusing, yet undoubtedly all that is intentional. But be warned, the film will make no attempt to tie up all its lose ends: some characters just drop out of sight, storylines are left dangling and the movie just comes to a stop as opposed to having a real climax. You can be left feeling poked and prodded by the film for having watched it, as opposed to rewarded. But, hey, it's Art.
- seriouscritic-42569
- 12 may 2018
- Enlace permanente
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 1,502,347
- Fin de semana de estreno en EE. UU. y Canadá
- USD 74,233
- 29 oct 2017
- Total a nivel mundial
- USD 8,588,030
- Tiempo de ejecución2 horas 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of The Square. La farsa del arte (2017) in Australia?
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